Getting into Photo, Part 2...The Lens

So now onto the glass.

Glass is a tad bit tricky, so this post is a little longer. I'm writing this with the understanding that you want to be a good and better photographer. If you're just shooting every now and then trying to get the kids as they grow up and don't require the better quality, there's no need to read any further. I also write this only touching on the basics of aperture understanding. It would greatly benefit you to research further on this. You can visit the links at the end of this post for starters. In addition, you can always go to B&C Camera where there are professionals who can answer your questions and help you decide on a lens. If you go to Best Buy or Costco then you are on your own. You've been warned.

Brie...Shot with a wide-angle lens, distorting perspective especially on the edges

First... Quite buying cheap glass! That 18-55mm kit lens? Get it off your camera and use it for target practice, especially you Canon shooters. You want to talk about a "starter" lens? Cool. You don't need to spend $2,000 on your first lens. But you do still need to get respectable glass. Notice I said glass. Not plastic lenses, but glass. If you call yourself a pro and I see this in your camera bag, I'm going to talk bad things about you behind your back. Most of the name brand low-end lenses use a plastic barrel and lens. On top of that, they are slow as hell. You ever buy that extra lens, the 55-200mm zoom lens thinking you got a great deal? And then you shoot with it, but can't freeze the action because the camera doesn't take a really quick picture? That's because this lens is slow, but its popular because people don't know any better. The speed of the lens is a factor of how much light it lets in. This is measured by the diameter of the opening, or the aperture as its commonly referred to. Sometimes aperture and the term f/stop are used interchangeably. The maximum aperture of the lens this lens is considered small...too small to let in a lot of light for a quick exposure. More time is required to get enough light in through the smaller opening which means the shutter must stay open longer. So if your subject is being still...great. For moving subjects...not so much. Most zoom lenses have a variable maximum aperture that get's even smaller, and thereby slower the more you zoom out.

Considerations

Shot with a 85mm at f/1.2. Notice how shallow the DofF is?
Basically, from the tip of her nose to her temple.

In buying a lens, FIRST think about what you are type of photography you are going to shoot. What interests you and what will you spend the majority of your time shooting? This will be the first determining factor in your lens choice. Landscape? Portrait? Sports? Flowers? All these require different lens characteristics. Wide-angle for landscape, Normal lenses for portraits. Fast zoom glass for sports...or really quick kids. And you'll need a macro lens for close-up shots of flowers. But lets say you want to still be a little versatile, despite those specific preferences. A normal lens should then be the first choice with a typical range of 24-70mm, which is the workhorse for most photogs. Or you could go a little longer like the 24-105mm Canon or the 24-120mm Nikon. The 24-70 is usually fast glass at f/2.8. The other mentioned lenses have a maximum aperture of f/4 (slower, but still decent). You can do a lot with these lenses.

The aperture of the lens is the opening in the barrel that lets in light. The smaller the number...the larger the opening. Think of it as a fraction just without the numerator (top number of the fraction). 1/2 is bigger than 1/4, ergo... 2 is bigger than 4. Any lens with a f-stop smaller than f/2.8 is considered slow and like wise f/2.8 and larger is considered fast glass. You want fast glass to learn on because you have more flexibility to experiment. A f/4 lens can do in a pinch at times, but you lose the depth of field option. Any slower lens than that, have your tripods ready.

*Wikipedia example. As you can see the openings get smaller as you go right. Each next aperture is half the size of the preceding one. F/2.8 lets in double the light as f/4, but only half the light as f/2. (Sizes are not to scale)

Another thing that is a factor in lenses is Depth of Field. Ever see those shots with the real creamy/blurred background, (referred to as Bokeh) but the subject is tack sharp? And then you wonder why your shots NEVER turn out like that. Chances are its because you have cheap lenses which are slow. Why does that matter? Because Depth of Field is a factor of the aperture setting. The wider the opening, the narrower the depth of field. So larger (hence, faster) apertures will give that effect the wider you open up. Focus on your subject and everything behind goes blurry. The effect is magnified the more open you go beyond 2.8. If you have a lens that opens up to f/1.4, it gets REALLY creamy. Remember...fraction. F/1.4 is opens 2 full stops wider at 4 times the amount of light and thus faster than f/2.8. Conversely, the smaller the aperture, then the longer the depth of field...out to infinity where everything is in focus, including all the foreground and all the background. Depth of Field is extremely important when you shoot portraits.

Close-up shot with at 100mm f/2.8 with a Macro lens. Also narrow depth of field.

Primes vs. Zooms. As you probably already realize, zoom lenses start from one point and then "zoom" out to a longer end and you can take a picture at every point within that range. Prime lenses don't have any zoom other than manual. Manual, meaning your feet! You move in or back, manually. These lenses have only one focal length which is the stated focal length on the lens. That's measured in millimeters. 50mm is considered normal, as in what the eye sees. Its often referred to as a STANDARD lens. So basically, your ability to see is derived from the two 50mm eyes you have in your head. Prime lenses are most often considered to be sharper than zooms and that's just because there is less glass and mechanics that light has to travel through to reach the image sensor in the camera. The 50mm with the maximum aperture of 1.8 is the ONLY cheap glass that you can buy and hear nothing from me. These lenses are under $150 and are considered by many to be the best lenses for the value...emphasis on VALUE.  However, the 50mm 1.4 is not much more expensive so you may as well get it instead.

Katherine with extended DofF at f/8.
All of background is still in focus.

Make sure the lens you buy is sturdy, solid, and has a metal mount. The back of the lens where it attaches to the camera should be all metal...not plastic. Say it with me..."NO PLASTIC MOUNTS!" ... Good. Now the next few lines are just suggestions and my professional opinion. Please make up your own minds and do your own research. If I'm not getting a high-end lens, I'm getting a Tamron. Other popular 3rd party lens manufacturers include, Tokina, and Sigma. I tend to stick with Tamrons if I'm not getting my main manufacturer high-end lens. They simply do the best, IMHO, at providing the better quality at the lower price and better guarantee (6-year warranty). Most of the newer Tamrons have the metal mounts. They have much better build quality than the low end Canons, and are on par with Nikon's low ends. They use mostly glass and have more f/2.8 options on the low end than either major manufacturer. For $500, you can get at least 6 lenses that are 2.8 glass or better. You'll spend more than twice that on 2.8 glass for either Canon or Nikon, (other than the aforementioned 50mm). And if money is no object and you just want the best quality, think Zeiss...all metal. I mean, everything on this lens is metal except for the high-precision ground, special coated glass lenses. These are manual focus lenses.

Now this one is tricky. The background is blurry even though the aperture is f/5.6. How is this possible?  Because the focal length is in the telephoto range at 135mm! Telephoto lenses "compress" the perspective allowing shorter DofF even at smaller apertures.

One last consideration is the camera's sensor type. Is it an FX (full frame) or a DX (APS-C cropped sensor)? When you buy a lens for a full frame camera, the focal length is exactly what it says on the lens. If you buy for a DX camera, you have to factor in the camera's multiplier. For Canon, that multiplier is 1.6. For Nikon its 1.5. This means that if the lens says is a 100mm lens, its actually a 160mm lens on a Canon. This is because its thats the Full frame equivalency. A Canon full frame sensor is 1.6 times as large as the DX sensor (see the links below). Some DX lenses won't fit on FX cameras. Canon's won't. Nikon's DX lenses actually do. Tamron lenses also fit on either lens, but be ABSOLUTELY CERTAIN you get the right mount lens when you buy any third part lens. Tamron makes lenses for Canon or Nikon mounts. But if you buy a Tamon with a Nikon mount...it won't fit on a Canon camera. So just make sure that the box says, "FOR CANON" if you have a Canon camera, or "FOR NIKON" if you have a Nikon camera. Make sure the sales person knows which camera you have.

Vibration Control...Image Stabilization...Vibration Reduction...whatever the particular manufacturer calls it, all it means is there is some type of element built into the lens to help reduce camera shake when hand held. So a lens that is considered slow, but has VC may be okay because you can still hand hold it, in some cases this compensation can mean 2 or 3 f/stops slower. I like stabilized lenses and get them over the non-stabilized version when possible, because some lenses will come in two versions: a stabilized version and non-stabilized one. Tamron, as a point of fact, makes the world's only 24-70mm stabilized lens and costs a whole grand less than Canon's.

So start out with the faster glass. You learn better on them because you have more options with speed and depth of field.

If you have a DX camera, here are my top 4 lenses to buy in this order:

1. Either :Tamron 17-50mm f/2.8 with VC (normal lens) Canon Mount / Nikon Mount 
Or
Tamron 28-75mm f/2.8 designed for full frame but works on DX very well Canon Mount/ Nikon Mount
(I give the option of the focal range to you. Either one will do. Edge goes to the 28-75mm. Remember the multiplier. The 17-50mm is actually a 25-75mm on a DX camera. The 28-75mm lens is actually a 42-112mm lens on a DX camera. At f/2.8 you'll appreciate the extra reach!)
2. Tamron 10-24 (wide angle) Canon Mount / Nikon Mount (with multiplier, its like a 16-35mm lens)
3. Canon or Nikon 50mm 1.4 (for portraiture. Looks like a 75mm on DX camera)
4. Tamron 70-200mm 2.8 with VC Canon Mount / Nikon Mount (looks like a 105-300mm on DX cameras)

If you have a full frame:
1. Tamron 24-70mm 2.8 Canon Mount / Nikon Mount
2. Canon 16-35mm 2.8/ Nikon 16-35 f/4
3. Canon or Nikon 70-200mm 2.8 with VC
4. Canon or Nikon 50mm 1.4

For other interesting lens, look up Tilt-Shift, Fisheye, Teleconverters, Circular Polarizers, Neutral Density Filters, and the fun LensBabies!

Here is some further reading to help you understand:
Canon Full Line-up of Lenses / Nikon Full Line-up of Lenses
A Tedious Explanation of the f/stop The Long Answer!
Understanding Camera Lenses Cambridge in Color Tutorial
What is a DX Lens? Ken Rockwell covering Nikon DX Lenses
Understanding the Magnification Factor Luminous Landscape
Understanding Depth of Field Cambridge in Color
Understanding Sensor Sizes (DX vs FX, etc)

Next post, I'm going to touch on Light!

Getting into Photo, Part 1...The Camera

Often enough, I get questions about getting started in photography and since its my nature to teach and I have no lack of love for sharing my trade, I rarely hold back on freely giving info on this thing. I know I can sometimes get overly enthusiastic about it. Getting me started can be like taking a full-on Kamehameha blast to the face from a family of Saiyans. But understand this is fun for me. So here are my GENERAL suggestions if you want to get started in photo using DSLR cameras (Digital Single Lens Reflex - normally, ones with interchangeable lenses).

Anonymous Model ©2012 Terrell Neasley

First and foremost, there are a few questions you need to ask yourself. Are you serious or no? Do you want to earn money or no? Asking whether you are serious or not will help you establish your priorities. If you're serious, photo comes somewhere near the top of the list, so be ready to dump money in this thing. And if you want to make money at it, then you also need to learn the business side of photo as well as how to shoot your camera so you are not starving. Be sure to be honest with yourself. You do yourself no favors when you say you are serious, but your time and money are consumed with everything else, BUT photography. On a small note, the type of photography genre you favor may also play into your brand. (For instance, more sport pro's shoot Canon.)

Over the years, the first and No. 1 question I've been asked is about the camera...Canon or Nikon. So lets start there. EITHER Canon or Nikon will do. They are both great companies and each have distinguishing features that set them apart from each other on a yearly basis almost. One year, Canon might have the edge and then Nikon catches up or vis versa. You won't go wrong no matter how you start out. I tell people to first see how each brand feels in your hands. Which one feels natural to you. Then I also ask, what do the majority of your friends have because you might be able to trade out or test equipment. If you're shooting with your buddy and your flash goes bad, you can borrow your friend's. Loyalties to one brand or the other is usually a generational thing. Dad owned a Nikon, so you go Nikon too...something like that. Most photogs today stay with a certain brand because of their investment into lenses. Regardless, don't get sucked into the Nikon vs Canon war. It ain't worth it. Both companies make excellent gear. (Nice Graphic Here)

Art Model, Panda ©2011 Terrell Neasley

Next, do everything you can to start out right. When you know what brand are ready to purchase, resist the temptation to start on the entry level gear. I very often get asked about a good "starter" camera. There is honestly no such thing. Get the right tool for the job. There is no such thing as a starter wrench and neither is there a starter camera. There are cheaper wrenches and cheaper cameras. The question is, will it do the job? The risk you run into is that you can quickly outgrow your camera if you start on the low end. I spend two days a week working in a camera shop. Students come in and buy a Rebel or a D3000-level camera. Toward the end of the semester, many come back to me and say they wish they had gone with my suggestion. They outgrew the entry level camera which doesn't have some of the more advanced functions they now need. Sometimes the lower end consumer cameras won't have Mirror Lock-up. You may not be able to bracket exposures or hook up a cable release. Does the shutter speed go from Bulb to 1/8000? Probably not. These cameras don't even operate with a real pentaprism, but rather pentamirrors.

On top of that, the better cameras usually have twice the shot count for the battery life. The build quality is often better with weather sealing and made of a magnesium alloy rather than plastic. When I take on a gig with a client, I'd rather have a camera in my hands more advanced than what my client might potentially own. See what I'm saying? Its hard to justify your rate when your client is wondering why they are paying you to shoot them with a camera like what they have. If you want to be a pro, get pro gear...not consumer gear.

Suggestions... If you go Canon, start with a Canon EOS 7D. They are cheap right now. Its almost 3 years old, but its one of the few cameras on the market right now that really does not need an upgrade. As for DX cameras, I think its the best. Its fast at 8 frames/second, durable, rocks TWO Digic-4 image processors, bad ass ISO capabilities, and the new firmware upgrades practically turn it into a new camera. The 60D is one step down and I can not knock it. Not as great a build, doesn't have the speed, but still a solid camera, especially for video. I also can't laugh at the new Rebel T4i. But if I'm going to be a pro shooter, I'm not doing it with a consumer-promoted Rebel. If you're a hobbyist and only use it on occasion, go for it. If money isn't so tight and you want to go Full Frame, you've got the options of either the brand new 6D, the  5D Mark III or the Big Daddy 1Dx.

Art Model Brittany V, ©2008 Terrell Neasley

What if you wanna go Nikon. Start with a Nikon D7000. I don't think its as good as the Canon 7D, but it rocks. I love the dual SD media card slots. You can get 6 frames a second, does great shots at high ISO's, and is a solid build. You can do High Speed sync up to 1/8000 of a second and the video capabilities will blow you away. You won't out-grow this thing. You can upgrade, but you'll still keep this camera as a back-up. No need to get rid of it, unless you are going Full Frame with a D600, D800, or D4.

Do whatever you can to start out right. If you have to wait for a few extra paychecks, then wait another month. Sell something on eBay, quite eating out, or whatever to come up with the extra cash to get what you need. I've seen some people do some great things with a Rebel. My buddy Felix will leave you gasping with his images with a Rebel over some people's work with a 5D Mark II. But he couldn't wait to get his hands on a 7D. And then its all about the lenses. I'll cover that later. Hi Vanessa!

**Update 14 December 2012 **
Let me bounce back and spend another paragraph on the camera. Some people talk about megapixels and that most of these cameras have so many that they really don't matter anymore. They believe that once technology went past 12 or so megapixels, you can print a good 16x20 from that, so how often does anybody print bigger than that. To some extent that is true. BUT... if you ask me, the more, the merrier. That's like using the analogy of film. The bigger the film size, the better the resolution. Medium format was better than 35mm. The 4x5 was better than Medium format. 8x10 was better than the 4x5. The difference is that you might be able to print a 16x20 from a smaller megapixel camera, but its not the same detail and richness. As an artist, I want to have the option of cropping in and pulling out that section and have it still look like the original shot. This is why I shoot with a D800e at 36 megapixels over the Canon 5D MarkIII.

How to Shop for YOUR Photographer

Heather Rae, World Traveler, Photographer (Nikon),
and Writer from In Search of Squid

As I mentioned in the last post, I spend a couple days a week at B&C Camera, owned by my friend, Joe Dumic. Everybody in this shop is shooting pro work. So with Christmas coming up, I figure you might be thinking about getting that photographer in your life something special and if he/she is anything like me, we're all picky as hell. This may be your significant other, a son/daughter, boy or girlfriend, or whoever. Maybe its an uncle. Shopping for a photographer can be tricky. Sometimes it might be better to NOT get us anything related to photo rather than get the wrong thing that we can't use or don't want for whatever reason. So let me help you out a little bit. Here are a few pointers and options. Holla if you have questions.

What you need to know for your photographer:

1. You have to find out what your photographer already has. That doesn't mean you need to trick them into giving you an inventory of their gear. But you have to first know what brand of equipment they have and then what type of camera it is. What do I mean with that? Eighty-eight percent of most photogs are shooting either Canon or Nikon and the gear brands are not interchangeable. Sony, Pentax, and Olympus are other brands that some people stick to. Then you need to know the sensor format. Chances are it will either be a full-frame sensor, identified commonly as FX, or it will be a cropped sensor, commonly identified as DX or APS-C. That's important to know because lenses built for DX cameras will not generally fit on a FX camera. These are considered DSLR cameras. If your photog is shooting either medium format or large format, sheeshh... contact me directly.

Chances are, your significant other will have mentioned at some point, what gear they need or have on their wish lists. All you have to do is listen. In terms of buying them a lenses, which is ALWAYS a good choice I might add, they will probably be throwing out a lot of numbers like 70 to 200, or 2.8. You may hear them talking about fast glass, wide-angles, or tilt-shift. Write this stuff down as you hear it and try to get it as specific as you can. THEN, go up to B&C Camera and tell them the information you have acquired and let them guide you on a proper choice.

**NOTE: And let me throw this caveat out there as well. We're talking about PHOTOGRAPHY. Be prepared to drop some bills. My folks freak out when I tell them I spent $2,000 on a lens. To a photog, this is not an issue of expensive or not...its a matter of what we need. Better gear nets better quality.

With respect to cameras, all you have to know is what camera they currently have and then go to B&C to find out what a proper upgrade might be. It might even help you to sneak into their camera bags, or where ever they store their gear and take inventory on what they have. This will tell the B&C guys how old their current cameras are and they will help you with reasonable upgrades within your budget.

Portrait, British world Traveler, Central America

2. Another thing that will aide the B&C representatives in helping you find the right gift is to know what genre of photography your photographer shoots. The needs of a SPORTS photographer is entirely different than a LANDSCAPE photog or one who shoots BOUDOIR. If your photographer has a website, let the guys at B&C know. They can see clearly what your photographer shoots and what their primary business is modeled around. Their gear preference might also be located on their websites under an ABOUT ME or BIO tab.

3. There are some gifts that you should NOT try to purchase under ANY circumstances unless you ABSOLUTELY know what your photographer wants. For instance...photography BAGS are one of those things that is just so personal and intimate to a photog that it would be easier for you to avoid that purchase. Its sort of like a woman and her purse. She will buy this purse on so many factors that have nothing to do with size, shape, or cost. Its just to risky. Don't do it. Ask the B&C guys for help on this. By the way, there are several associates working on any given day, so if you speak Spanish, ask for Angela, German...Joe, Lithuanian...Ugi or Rob, Mandarin...Lucy, or Black Guy...come find me. And all of us have varying degrees of expertise. Rob...Video, Lucy...Underwater, Me...naked people!

4. If you want to stay on the safe side, storage cards can be an excellent option. Large capacity brand name cards can be appreciated no matter if they already have some or not. Make sure you know if their cameras need CF or SD cards and get the top of the line and largest capacity you can budget. B&C sells some excellent SanDisk and Promaster cards up to 128GB and 1000x speed. Just ask for the biggest and fastest cards if you don't want to get into the numbers on that.

Portrait, Californian World Traveler, Central America

Lights are another safe option. Speedlites or on-camera flashes are great, but you have to know the brand of camera it matches. Monolights, such as the Elinchromes brands (along with accessories) are top of the line and great for either camera brand. You can ask the professional reps for assistance with that. Along with that, if you can get a high-end carbon fiber tripod by Manfrotto or Gitzo, you really can't go wrong (I bought this one last year! Love it!). If they already have one, again find out what brand they already have an upgrade it. PocketWizard wireless flash triggers are an EXCELLENT option. The new PocketWizard Plus IIIs are excellent...again, know what brand of camera first. They are coded for a specific manufacturer.

5. Find out what Christmas specials are being promoted right now. Tamron lenses have significant rebates in addition to the Canon and Nikon ones. This information will be posted throughout the store. If all else fails, get a B&C gift card and put $500 or so on it. Maybe a $1,000, if they've been nice.

And the last two points of concern are about you:

6. Don't be afraid to get yourself a little something-something. Treat yourself to a nice camera as well. The Nikon 1 system is an excellent alternative to the regular old point and shoot cameras. They have the same simplicity but a quality that comes closer to the larger cameras systems your photographer uses. The Nikon N1 J1 and the N1 V1 are mirrorless cameras that are very affordable right now with rebates up to $450 off. And if you really want to step up quality wise, check out the Sony NEX-6 or the NEX-7. These Sony brands use some of the same sensor sizes as the larger DX cameras your photographer might use. The NEX-7 sensor is 24MPs! Let your B&C store associate help you with the best choice for you. They will also help you set up your camera and assist you with getting started. You won't find that with online stores. If you have questions later on with it, visit the store again and they'll show you how take care of those issues.

World Travels I met in Central America

7. Take the two classes offered by B&C for $35 each. They teach beginner and intermediate level classes twice a month. After your second class, you will have a better understanding of what your photographer is talking about and can better share in that experience with them. I challenge you to tell me another way you'll bond with your fave photog quicker than that.

In addition, you can hire ME for a personalized, but flexible 2-week training session for yourself or you AND your photo guy/gal. I'll run your through a myriad of scenarios that cover everything your camera is capable of. I teach by hands-on training in the field. Classroom time is minimal. You will learn by shooting, covering all the basics and then some of the advanced mechanics of photography, cameras, lenses, lighting, etc.

So enjoy your the season. Spend time with family. And shop with confidence that you'll get the right gift for your photographer. For the record, I shoot NIKON and ANY of the guys at B&C will know exactly what I need.

B&C Camera

4511 West Sahara

Las Vegas, NV 89102

Open 7 Days a week from 10am to 5:30pm

702-871-1100

888-435-4607

info@BandCCamera.com

Top Eight: Photography Websites You Should Fave

Everybody's got their list of favorite sites they like to visit on a regular basis. Photographers, in specific have their own special sites that they visit for information, inspiration, or entertainment. I probably have a million different sites that I visit for various reasons, a few hundred of which I visit on a weekly basis. So I've broken down a few of them and will periodically highlight some that I think are most relevant to me at the moment. I wouldn't even say the list is in order and is not an actual TOP website listing, but Top Eight sounded better than Featured Eight. So lets begin.

Nude Art Model, © 2009 Terrell Neasley

1. F-Stoppers - Originally founded by Patrick Hall and Lee Morris, FStoppers has a plethora of writers and a boat load of information on just about everything, which can be proven if you check the archives. This is one of the sites I visit primarily for Photography News updates, Gear Reviews, and general well-written and interesting articles on photography. They are in no way limited to photography as you can also get the low-down on practically anything video.

2. PhotoFocus - This is likely the site I currently visit the most. Scott Bourne is one of my favorite photogs doing his thing today. He lives here in Las Vegas (never met him personally, though) and along with Jerry Ghionis and Richard Harrington, Scott consistently puts out some of the best material that will benefit you as a photographer concerning gear, photo techniques, and business best practices. This site has been up since 1998, so the man's been doing this on a regular basis for quite a while. And because of that, he'll be turning over the reins to his bud Richard next November to focus on some other areas of interest in his life, namely racing! I like the man's insight and the way he puts it honestly on the line. He can be very introspective, especially as of recently, and that's to our benefit. Scott Bourne will keep you from later on having one of those, "If I knew back then what I know now" kind of moments if you listen to him today.

3. Photo Attorney - I first found out about Carolyn E. Wright about 5 years ago. She's an attorney. She's a photographer. And right now, her law practice specifically serves the needs of photographers. I mean, 'nuff said. She should definitely be on your list of faves and you should be reading her periodically or at the very least researching her site to review posts relative to your current specific needs. In fact, stop reading my post and go check her out. Come back when you are done.

4. Digital Photo Pro - This site is actually the online version of the magazine I used to subscribe to. It was one of my original sources I used in my initial development as a photographer. When I chose to get serious with this gig in 2005, one of the first things I did was to subscribe to this magazine. The issues helped me with inspiration and creativity. From this source, I found out how good everyone was and how I needed to be better. Regular articles on the new and up and coming young photographers, along with tips and techniques on lighting helped me expand my portfolio and get noticed.

Nude Art Model, © 2012 Terrell Neasley

5. Crisis Lab - I'm still trying to figure this guy out, but I like the hell out of him. Kevin Good runs this joint and much of it is focused on cinematography. I just came across him recently researching some information about the new Tamron 24-70mm lens with image stabilization compared to the Nikon version as well as Canon's new higher priced version for a grand more. Tamron has the only version with image stabilization and since I spend a few days a week working at B & C Camera, I want to be better educated when customers ask me about these systems. Now, I'm hooked. Kevin and his crew are funny, but incredibly informed and they present information to you that makes sense and demands your attention. If you are a Nikon shooter, you may have to get past his Canon bias. It can be harsh. You've been warned.

6. Chase Jarvis - Now this is my point about mentioning that this list is not in order. No way would I be saying CJ is ranked 6th out of 8 in anything. Let me put it to you this way. I'm a grown ass man. I'm 44 years old, but if there was anybody I'd say I want to be like when I grow up, its Chase Jarvis. I'm mean, granted...I'm only speaking photographically here. I don't know him personally, but as far as a business model, I couldn't complain one bit if my business suddenly mirrored his. I say that with only one caveat. If he's not doing nudes, then all bets are off. I'll just be me.

I came across his work a few years back while researching options for back-ups that photographers use. We're not like the typical consumer who can back up everything they've done over the years in a Gig or two.  Every time I take a picture, that's an almost 50mb file. I can fill up hard drives fairly quickly. In my research, I came across Chase Jarvis' video on his data management and workflow techniques and was amazed at his redundancy, efficiency, and the overall system he has in place when he goes on assignment. I won't even get into the people on his team. But I think it's amazing. He continues to inspire as he was recently sailing with a bud off the coast of South Africa and South America.

7. NikonRumors / CanonRumors - Here is where I go to put my ear to the rumor mill. Whether you're a Nikon shooter or Canon, both these sites have the low down on what's coming up in new announcements, news and info. They both seem to have to goods on speculated topics and gear. In fact, I'm going to take a break and go check'em out now. Maybe get a bite to eat. In fact, I'll be back in a couple hours.

Nude Art Model, © 2010 Terrell Neasley

....A few hours later

8. How Is Should Have Ended  - Yeah, photography...no. But you recall what I said earlier about cinema, right...moving photos...well, this qualifies. That's my story and I'm sticking to it. HISHE is an animation parody about the movies we go to the theaters to watch. I'm always going to see movies. My fave HISHE animation clips are the "Inception", "Lord of the Rings", and "Star Trek" parodies on how these movies SHOULD have ended. Its funny, highly entertaining, and should definitely be on your list of favorites.

Anyhoo... Here is Kevin Good giving his analysis on the 24-70mm lens for Tamron, Nikon, and Canon.

Photography is My Thing

Model Faerie, © 2012 Terrell Neasley

"Do what you love. Know your own bone; gnaw at it, bury it, unearth it, and gnaw it still."

~ Henry David Thoreau

People have all sorts of reasons why they do photography. Some are professionals at it and some do it for the fun of it. The skill levels vary tremendously, although I would assume a bell curve would favor a left-ward distribution. WHY people do photography is just as varied. Its a job for some. These pick up a camera only because they are being paid by an employer to do so. On their down time, the last thing they want to look at is a camera. Some people are enthusiasts at whatever skill level and they do what they do for the love of it, but only after the get done with the day-time job. Probably the most prolific are they that simply want to document the time of passage for the family, vacations, holidays, and special events. I was viewing a video podcast recently on how many pictures have been taken by everyone since the first image was every captured. An estimation concluded that 10% of all images ever captured were taken in only the last 12 months and 20% of them wind up on Facebook. [I decided to add the video at the bottom]

Model Faerie, © 2012 Terrell Neasley

I'm sure we've all heard it said, "Do what you love and you'll never work a day in your life". This is my thing. Its my gig. Its not a job for me. I'm not a pretender, poser, faker, or wanna-be. I'm in business for myself. I do it for people to make a profit, but I don't do it for money. Does that make sense? For me it does. There would be absolutely no change in my game if I wasn't getting paid. And trust me, the clients and the money can get scarce at times. I still go shoot. I may not have a gig lined up, but I still buy the gear. What do I get? I buy what I feel like is going to get me the best results in my images. From a business sense, I justify my fees because of my time, my skill, my equipment, and the expenses I incur to produce a desired result for a client. I probably won't ever get the gig because I was the cheapest or lowest bidder, but my job is to get the shot and produce deliverables with no excuses or settling.

"Do what you love; you'll be better at it. It sounds pretty simple, but you'd be surprised how many people don't get this one right away."

~ LL Cool J 

Model Faerie, © 2012 Terrell Neasley

Photography is my thing. Yes, nudes are a passion for me, but photography is my thing. "Working with a camera to produce a creatively exposed image with the desired focus using a preferred technique of editing and presentation." THAT is my definition of photography. When you talk to me, you get a sense of my passion for it and I've always shared my passion. I teach photo. And when I say I teach, I'm not talking about just lecture. No, I take you on a two week boot camp program. I used to do monthly workshops with a group of photogs. My workshops were cheap and some of these guys when you'd run into them 3 months later had't picked up a camera since you last saw them. The investment was one-sided with little to no ROI. Now when I teach, I get you for a good 2 weeks that might start out at 5am for a sunrise at Death Valley. Or we might be out at 11pm in the middle of the desert doing extended exposures or learning the stroboscopic features on your flash with a model. We'll be visiting interesting locations and learning everything to the limits of your camera's capabilities. Why? Because first, this is what I love and I want to share it with people who love it like I do. Second, because I want to have fun. As you might expect, I don't get many takers. Most don't have the time to commit and others balk at the money. And that's cool. I understand. Most people are not into photo like I am. I'm in it when I'm by myself and I do it when I'm not making money on it. This is my thing.

Model Faerie, © 2012 Terrell Neasley

Do what you love. Easier said than done, right. Maybe. I ain't judging nobody. If my kids were still little, this might not be the case. Those little knuckle-head like to eat and the older they get, the better shoes they want. But on my own, I've slept on a inflatable mattress (but a good one!) for almost 3 years. I found it difficult to justify the expense for a bed, when I could put that money on a new lens. This past January, I had my daughter and her husband come stay with me for a bit during the first part of my recovery. I know they are partial to "real" beds. So I bought a nice one. Then I bought a couch and some living room furniture. Two months ago, I got a TV! I haven't needed a TV. I spend too much time on a big monitor as it is editing photos, doing online tutorials, or catching up on the latest news about photography from my favorite bloggers.

This is my thing. Wanna go shoot?

Long Term Effects of Posing Nude: About Body Image

Anonymous Model, © 2012 Terrell Neasley

 "The more I like me, the less I want to pretend to be other people." 

~ Jamie Lee Curtis

An interesting young lady, photography student in the UK, contacted me earlier this week and asked about some comments I made on Alex B's blog post "Therapeutic or Artistic". Alex was discussing the reasons why we pose nude and I made offered my sentiments. She runs a fabulous blog, by the way. Genea Bailey found my comment interesting and asked me about my experience and opinion where models site a confident boost from modeling with me. She wanted to know the long term effects of whether or not these feeling are a lasting and positive change of self-image or if the moment is only temporary.

It does raise an interesting question and I hadn't really contemplated this issue from the perspective of her query. "Long Term Effects"...

Anonymous Model, © 2012 Terrell Neasley

I don't know anyone who has done any in-depth study and analysis on this matter and I'd challenge anybody to show me empirical evidence to back up their findings if they had. Not because I'd have an automatic dispute, but because I REALLY would like to know and would certainly want to research their findings that substantiate their claims. I'll be following Miss Bailey's work very closely and would love to even collaborate even further on the matter. You can check out her post which includes my responses from our email correspondence. >> "My Chat with T. L. Neasley" <<

I almost wish I had given more thought to her questions. I think I answered too quickly. I gave her my "off the top of my head" response. The more I think about it, the more I contemplate the different women I've shot and wonder how they may feel now after having worked with me. I used to ask some models to fill out a quick survey which recorded how they felt immediately after working with me, but I don't think I've asked this of many models after several years. I'm still in contact with many of them and not all had self-esteem issues to begin with. Not everybody who worked with me as did it for a confidence booster. It would still be interesting to know how some of these women feel who did a one time project with me. Several posed nude only once and never did it again. Not because anything bad happened, but because they got it out of their systems. It was never more than a one-time thing.

“One day I had to sit down with myself and decide that I loved myself no matter what my body looked like and what other people thought about my body. I got tired of hating myself."

~ Gabourey Sidibe, (from the movie, "Precious")

Anonymous Model, © 2012 Terrell Neasley

I've often pondered getting with some of the models whom were my firsts. I'd SOOO love to shoot with some of them again just to see how I might do them differently. I've learned so much since I shot my first nude model November of 2005. I was using a cheap film camera and kit lens that may have cost me about $400. I have flash guns that cost more than that. Interestingly enough, a few of those projects remain the best work I've done to date. Some, you will never see because they do not exist in digital form as per the agreement I made with two models. I have never made an agreement like that since, but the work I did with them was also incredible. These works only exist in print form which I developed and mounted myself. Actually, let me correct that statement. One of them did eventually allow me to post images as long as they remained anonymous. I miss those days of film. I drove to Colorado last year to work with one of my original models again, but things did not pan out and we were not able to meet after I arrived. I've come close a few times to working again with a few other former models of my days before Vegas and have only repeated projects with one former model. In the meantime, I will contact some of these girls and see how things have been since then.

I do know that I've worked with models since coming to Vegas who have had body image and self-esteem issues. I've done incredible work with them and the affects have been varying. As I eluded to in Miss Bailey's post, I think much of the sustainability of any improved confidence is heavily weighted on the cause of the lack of confidence. For instance, one model compared herself to others was encouraged when she saw my pics of her that showed her she was just as beautiful. On the other hand, that same confidence of another model, while much improved initially, was not reinforced at home because of her choice in men. So its my opinion that any measure of confidence will be dependent on the environment in which the model finds herself in.

But now, I have to find out on my own more details on this question. Thanks so much Genea Bailey!

The Fantastic Anonymous Nude

“There are those who so dislike the nude that they find something indecent in the naked truth.”  

– F. H. Bradley

Anonymous Model, © 2012 Terrell Neasley

When I first started shooting nudes several years ago, I based it on a partnership with my models. Everybody else’s interests come secondary to that notion. My job has been to do the best I can to create images that the model can appreciate and use for their portfolios or private interests. That can mean helping them advance and promote their careers or just giving them something to hang on their walls at home. Nonetheless, I do what I can to help promote the art model and their services. That’s what the Las Vegas Art Models Group was all about when I created it and ran it for three years.

Sometimes I get the privilege to work with a model  that doesn't want the recognition but would love to participate in the creative processes that I use to create artistic imagery based on the nude.  For their own private reasons they would prefer the anonymity to the promotion. Instead of recognition, they would rather go incognito.  My responsibility is to not only respect and protect that decision but to also admire it. Responsibility to admire?? Yes, I take it as a responsibility to admire.

“Being naked approaches being revolutionary; going barefoot is mere populism.”  

– John Updike

Anonymous Model, © 2012 Terrell Neasley

The Anonymous Model is becoming a bigger part of my workflow and I like it. Sometimes that’s the only deal-breaker in the decision to model or not.  Anytime I can make that decision easier, more simple, or otherwise oriented in my favor, I’m all for it. More times than not, the best shots come from the anonymous. It can even be argued that taking the identity out of the artwork is actually makes for a better piece than one where the model is identifiable. The position stems from the notion that the artwork is more important than the model. Light, shadow, form, shape, composition, balance… these are elements in artwork that mean the most. Bringing in the model’s identity might actually be a distraction within the artwork rather than lending support to it. This is not the case in every art nude, of course. If you look through the majority of my work, you’ll see that many of my models identity is reveals. Actually, let me rephrase that because a face revealed does not mean an identity revealed, especially since I never use last names and I only use the alias requested by the model.

“What spirit is so empty and blind that it cannot recognize the fact that the foot is more noble than the shoe, and skin more beautiful than the garment with which it is clothed?”  

- Michelangelo

Anonymous Model, © 2012 Terrell Neasley

But the Anonymous model can be photographed several ways. It could mean the face is fully revealed, but there may simply be no alias tied to the image. Or it could mean there are no facial features. I've had some models who've requested I compose out or crop out their heads entirely.  I can use hair, props, or simply strategic angles to hide faces if necessary. The rest may require creative Photoshop or post op techniques to hide a face. It doesn't matter how it’s done, or the reasons why a model may require anonymity. I just love doing it.

A Comment About Validation

Art Model and Competitive Fitness Athlete, Dominique Furuta © 2011 Terrell Neasley

"A lot of people say this honor validates my career, but I didn`t work hard for validation."

- Baseball Hall of Famer Ryne Sandberg in his acceptance speech in 2005

One of the popular blogs I follow is Photofocus by master photog, Scott Borne. The guy consistently puts out the best in credible commentary for photographers. His writing is superb and he's got a strong history of talent and experience to back it up. He did a post about a week or so ago, "Photographers – Validation is Overrated", but I'm just now getting to write about it. It was going to be my THIRD point in my last blog post, but I didn't think it should be crowded with other material. This one is a stand-alone.

Art Model and Competitive Fitness Athlete,
Dominique Furuta © 2011 Terrell Neasley

At any rate, this is a conclusion I reached a long time ago. I haven't made all the best decisions in my life. As a young man, I had more than my share of screw-ups, mistakes, and otherwise bone-head decisions. However, I did learn early on that VALIDATION was something that wasn't going to be a priority on my timetable. Now I predicate that point with this caveat: I acknowledge there will always be some form of validation that we seek. It may be approval from a parent, coach, or mentor. My point, however has to do with the misguided reasons people have for needing validation as a form of acceptance or permission to move forward. As a young fresh-out-the-can soldier, I already had my 3 main goals I wanted to achieve before I entered the military. In fact, I can back up to age 7 when I first told my grandma I was gonna be a soldier. Nobody believed me when I said I would join the Army. We didn't have a lot of military in my family but I didn't wait on anybody's approval to do it. I made rank fast and didn't give a damn about seniority, except for where Army regulations mandated it. I was a leader of men at a young age with older soldiers subordinate to me.

“What the superior man seeks is in himself; what the small man seeks is in others.” 

― Confucius

"Practice, research, go to workshops, take classes, believe in yourself. Improve by study, trial and error and go out there shooting."... reads one segment of Scott Borne's blog post. This was the way I operated my military career and its the same with my photography. This has been a recent point of interest for me concerning contests. I won twice in the last year with two international contests (B&W Spider Awards and Photography Masters Cup), each being recognized for 3 or 4 of my images. In both contests, I took a 2nd place category finish. It felt good to be acknowledged. Getting  Honorable Mention for one of my Nudes was by far even better than either of my 2nd Place finishes. I received invitations to participate in each of them again, but I declined them this time.

Art Model and Competitive Fitness Athlete,
Dominique Furuta © 2011 Terrell Neasley

Art Model and Competitive Fitness Athlete,
Dominique Furuta © 2011 Terrell Neasley

Why did I decline to submit more work? I couldn't find a good reason to enter again. I didn't feel a need to try to get a First Place award. I didn't think I needed any further validation of my work. I entered the first time as a change of pace and I had friends doing it. I think I'd rather concentrate my efforts on exhibits instead of contests. Some contests do lead to exhibits, I know. And maybe exhibits are another form of validation for some people. The difference is that I'm not looking for any curator, art director, or notable jury to tell me my work is good. I already feel like its good, else I'd have no desire to show it. I can always get better and improve, but its not always about that. For me, its change. Sometimes I just want to do something different and then show that. And then do something else different and show that. Trust me, some people don't like the new stuff at times, but I don't stop. If I like it and my model likes it, then I count that as a success.

Don't wait on other people to approve of you before you move forward. I've had to take those initial steps without the validation of peers and the public before. You get over it real quick. Stay true to yourself and if its what you love, then damn all the rest. Get crackin' even if it hurts a little in the beginning. Don't be afraid to walk alone when you know you have to.

"If you want to go make photographs…go do it. Don’t wait for someone else to tell you it’s okay! You don’t need anyone else’s permission or validation. No anonymous jerk on a camera club forum can stop you. You just need to believe in your heart that you have something to share. So what are you waiting for? As always, I’m rooting for you!" 

- Scott Borne, paraphrasing Seth Godin

All I Ask is a Tall Ship...

(One of my favorite quotes of all time...)

"There are three perfect shapes in the world … the hull of a boat, a violin, and a woman's body."    —Charis Wilson quoting Varda

Art Model, Dana © 2007 Terrell Neasley

"Ships are the nearest things to dreams that hands have ever made."   

- Robert N. Rose

I'm gonna double up here for a bit and catch you up on a couple of points. Well, maybe actually THREE!

My good friend John Kompare, another accomplished photog, sent me an email that has me wondering about my some of my future priorities. You can catch John's blog at this link. He forwarded me a newsletter to a sailing club offering to train you up on basic sailing and cruising at a really good deal. I want so badly to take advantage. I'm sure I mentioned this before, but maybe I didn't. At some point in 2014, I want my travels to hit the water. I want to be on my own boat sailing the South Pacific starting from Chile, to Easter Island and then heading out West. I still have to learn to sail and then I need to get a good boat. Trying to balance that with some of my land-loving travel plans may be problematic on my time table. I am heading back to Central America this year and plan to tour South America next year along with a short stint in Israel. All that doesn't leave a lot of time nor money for sailing. So I have to better organize my thoughts and priorities.

"A lot of people ask me if I were shipwrecked, and could only have one book, what would it be? I always say 'How to Build a Boat' "    

- Stephen Wright

Art Model, Dana © 2007 Terrell Neasley

This also ties in with my second topic. Two nights ago, I got to hang out at the Hard Rock with some really good friends. I won't even get started on the party we had the week before. I was a mess. This week however was a bit more civilized and all I had was coke. But my bud Pierre-Luc is an aerialist here in Vegas with one of the Cirque shows. He and I were talking about travel and he mentioned that he's traveled world-wide quite often over the last few years, taking extensive trips in Europe and Southeast Asia at least 7 times. He's a young man. I asked him why he's made traveling so important in his life. What was his answer? Just that...LIFE! This is a man who spends exhilarating hours in the air performing up to 5 or 6 nights a week, doing two shows a night. His skill has to be impeccable. His timing must be absolutely perfect and his rigging has to be without even the slightest defect. A simple slip, to be off in his timing, or faulty rigging can prove disastrous in his profession.

Art Model, Anonymous © 2007 Terrell Neasley

"Bad cooking is responsible for more trouble at sea than all other things put together."

- Thomas Fleming Day

Art Model, Anonymous © 2007 Terrell Neasley

But this is exactly what happened just a few years ago around the time we were first introduced. Faulty rigging resulted in a 30 foot fall onto his head. This is why he travels. He has since healed and is back in the air. And now he takes some time to experience the world. Keep in mind we're not talking about an accountant or marketing executive. We are speaking to a man who's already living life on the edge and he's talking about experiencing life. How many of the rest of us live life making future promises? How many of us are saving up for that life experience that we never make time for beyond a trip to Disneyland? Ever notice how that savings account keeps getting tapped into because "something else came up"? Something will always come up. Sometimes it might take a significant emotional experience to give us that bump we need to get out of our normal routines and do the stuff we dream of doing. I'm not saying you need to build a bucket list. I'm just saying I wish more of us were actually doing the things that make us happy and not putting off these things til the kids leave the house, or until you get that next promotion. There is a big difference between living life and just being alive. To truly live is more than simply surviving. I'm not saying travel is YOUR answer. You may hate traveling, but there IS something you love to do which is that "thing" that you've always talked and dreamed about. Find a way. Make your path. Do this. Now.

I'll save my third thing for later.

So What's Next?

More of Faerie from some shots I'm just now getting to edit

"When I stand before God at the end of my life, I would hope that I would not have a single bit of talent left, and could say, 'I used everything you gave me'."

- Erma Bombeck

That is a good question. The goal is to definitely implement travel into my business and integrate it into my lifestyle. I already mentioned my desire to head back to Guatemala with a model for two weeks. But beyond that, I'm not certain. I can't say that I feel done with Central America just yet. There are 7 countries there and I've only visited 2. I'd think Honduras would be a priority. Can't say I'm feeling Costa Rica has been on my mind to do some volunteering. El Salvador and Nicaragua would be next. I've been to Panama already, but only from a military perspective.

I think of everywhere I could travel, Central and South America appeal to me most. I need to get serious about learning Spanish. I mean, dang. I was raised in Texas. I've been in Las Vegas for 5 years. How is it that I don't already speak the language? You'd think just from hearing it so often you'd learn it like a baby. I even got German down fairly well while I was there for almost 4 years. Wait...let me take that back. I could order food and tell a cab driver where I wanted to go. But I was getting it down. Don't ask me anything in German now, though. That was 20 years ago. But back to my point, I need to make a more concerted effort to prioritize my language skills. And why stop with just Spanish?

Art Model, Faerie

In the meantime, what's next is getting back to work and building my photography business with the core and staple services I known for. I need to push myself in ways that go beyond the typical and outside my comfort zone. Granted, I believe I've been doing that, but in the process I got comfortable again, so its time for another evolution. I still feel behind for the year. I missed the first 4 months of the year. I did a teaching assignment for a month in May and had about 4 projects or so between mid-April til I left in July for Central America. From an artistic perspective, I talked a few months back about doing more self-portraits. I need to work some nudes in there too. We're in month 9 of this year and I think I've only done a single nude project with a model. Make that two. I got to work with Panda a week after my surgery in January, just before all the real pain started kicking in. I only did 7 nudes all of last year, which is the least amount of projects I've ever done since I first began shooting nudes. So between now and the end of the year, I need to get at least 10 more.

"I have a simple philosophy: Fill what's empty. Empty what's full. Scratch where it itches."

- Alice Roosevelt Longworth

Art Model, Faerie

What else is next? Outside of travel, doing my art, and working my business... nothing. That's where all my concentration is for now and I've got lots more to do. There's enough on my plate to keep me occupied and gainfully-employed if I can just handle those aforementioned taskings. Maybe I can add in there objectives to maintain my sanity and minimize the disturbance to my calm. I think better that way and thus increase creativeness, efficiency, and productivity. Oh, I guess I can add in there getting healthy. The knee surgery didn't pan out as well as hoped and now I have some rotator cuff issues in my right shoulder. I hate being slowed down this much, but I am trying not to push it. Too look at me, you'd never be able to tell I am so broken. Just last night, talking to a couple at a bar, they commented that I obviously must work out. Yeah, right. At the moment I'm running off a lifestyle of strenuous physical activity, genetics, and God's Grace. But all that ain't going to hold up if I don't get fixed and get back to my regular activities soon. So I guess I had better add that onto the list of priorities. Be cool. Get healthy. Oh and also get the iPhone 5. Yeah, that's all.

A Few More Points on Central America

Standing in front of the main waterfall at Seven Altars, Guatemala

Midnight shot, Hopkins, Belize

I can spend the rest of the year talking about Central America. I've got so many pics and videos to keep content fresh for the next six months. But that's not all that this blog is about. However, let me just say a few more things. In all the beautiful surroundings that is Guatemala and Belize, there were three things that were nonetheless heartbreaking to see. First and foremost was the disparity of wealth. Now let me predicate this with the fact that I admit this was my first visit and I did not see all of the country. I have not done an national economic study on any of the countries to back up my opinion with discrete facts. That being said, I didn't see, nor did I have the impression, that there was a large middle class. This means that I'm thinking the majority the people will fall on the outlying edges of the economic scale. The distribution of wealth seemed to me to be heavily skewed towards the right side of the bell curve. On one side of the river you find elaborate boat houses and on the opposite side, I'll just say it can be pathetic. I even began to consider weather or not my presence as a tourist in some way exploited the poor of the region. Make no mistake, this is the system. I'll be back. I'll be more educated, more informed, and better prepared upon my return.

“Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.”

 - John Berger 

Kids playing just off the Rio Dulce

The second thing has to do with the poor condition of dogs in just about every city I visited. Sometimes conditions were so deplorable that you can see rotting flesh on some of these animals. Heather and I were almost attacked a couple of times by a pack of dogs, once in San Miguel and once in Finca Ixobel, though the Finca Ixobel dogs were owned by a tourist family. I was very pleased to see Ismael, who manages Casa Rosada in Livingston who has taken it upon himself to launch a tremendous effort to bring in Veterinarians from the U.S. to volunteer to come help heal, cure, spay, and neuter the animals, and educate the local population and owners of the importance of taking better care of their pets. Ismael is volunteering to host these Vets with free lodging and food for their services. This man is such a great guy!

And thirdly, I learned for the first time about the importance of saving our coral reefs. Admittedly, any time I have heard about it before, I didn't really put much care into the notion. However, upon seeing the dead field of reefs while snorkeling a half mile off Tobacco Caye, it became suddenly a disparaging sight. It was awe-inspiring to witness the life amongst the corals as I swam around sting-rays and barracuda. The water was crystal clear, the marine life was so colorful and beautiful... and then everything turns gray and looks devoid of life. I'm a fan of coral reefs now. Please be conscious of your actions when swimming through or over them and help protect our reefs.

"The first time I added the art nude to my landscape photography it was as if I had added a soul, they took on a life and became much more than the sum of each. I was looking over the images after a photo shoot, I could hardly believe my own eyes and the beauty I had captured."  - David Winge

Canoeing through mangroves, just off the Rio Dulce

I'm not sure when I'll get back to Guatemala. I'd like to say I'll be back in November. I've got one thing holding me up though. I feel like I need a model. It may be pathetic of me to say, but I think I'm having a more difficult time appreciating how gorgeous some of the areas I visit is when I don't have a nude model to accompany me. During this last trip, I could not shake that notion from my mind. Yes, its beautiful to see. Yes, the waterfalls are gorgeous. I know the rivers, jungles, and cabins are precious to witness. But I need a nude model. Gotta have it. Can't get around it. It must be done. The perfect situation? A new client hires me to accompany and follow her around to do just this and defers to my creative expertise and gives me complete artistic liberties to produce a collaborative work of art for the ages!

Yeah, so I thought it might also be cool to post a short video interview of Heather Rae upon our arrival in Hopkins, Belize. I had to reduce the quality to get it within Blogger's size requirements, so I'll need to work around that next time. Check it out. You just might learn something. BTW, the place we are staying here in Hopkins is the Lebeha Drumming Center & Cabanas. And more on her discussion of the History of the Garifuna people.