Showing posts with label Camera Accessories. Show all posts
Showing posts with label Camera Accessories. Show all posts

30 June 2016

Protection: The Age Old UV Filter Debate

It was cool to have KristiC visiting Las Vegas again for a spell earlier this June. So we got to shoot a few times before she left. ©2016 Terrell Neasley
Most photographic accessories are designed to aid you in your photographic endeavors in terms of improving or increasing your ability to take a photo. Protection measures are implemented in order that you may continue your photographic endeavors or at least compensate you when you suddenly can not do so.

So lets start with an ongoing argument on the polarizing viewpoints of the UV filter. Should you put a piece of glass that was not originally factored into the lens' design over the manufacturer's precision-ground and chemically-coated lens elements? Good question.

Art Model, KristiC ©2016 Terrell Neasley

Exactly what is a UV filter anyway? UV stands for Ultraviolet. This is the radiation from the sun that makes you need sunscreen when you're outside for extended periods of time. Its the same stuff from the sun that you soak up to get a tan. However for cameras, its a little different. The ultraviolet rays from the sun could indeed affect the chemical composition in film from the film camera days. In some cases, UV radiation could cause slight color shifts, as well as affect the overall quality of the image as it hit the exposed areas of film while you're taking a picture. You can see why this might be a problem for pro photogs who shoot film.

Well, most of us don't use film in our cameras. So why is there still some who insist on UV filters for digital cameras? Okay, let me admit. There are several reasons why. First let me say I am a proponent of UV filters. All my glass has them. But this question as to "why" has been severely distorted over the years by two main factors.

Art Model, KristiC ©2016 Terrell Neasley

During the early age of digital photography, this was still a means of making money for camera store owners. These owners don't make a lot of margin on cameras and lenses. Some of that margin could be made up in photography accessories and UV filters were part of it. So you had camera store owners pushing these filters onto consumers.

The next part of the mix-up has to do with manufacturers. Profits are still the name of the game. And when you can stamp out cheap circles of glass at varying diameters and sell them to new and unsuspecting consumers who need cameras, well it can set a bad precedence for the industry. They called it PROTECTION. You need to protect that brand new lens you just bought (or that comes with your camera).

Art Model, KristiC ©2016 Terrell Neasley

To be honest, there is actually some elements of truth to what store owners and manufacturers think in this regard. However the answer to this protection question was NOT to make cheap glass stamp-outs and put them on the front of your lens. The real fact is that even the cheapest lens out there currently is still likely a good lens. They still channel light down to a specific point on the sensor with accurate precision. Cheap and inferior UV filters affect how light passes through them and hit the actual lens. A defect in the in poor quality UV filters can result in poor light refraction that can cause light rays to hit the front element of the lens at bad angles, striking the sensor in a way not designed or intended. Next thing you know, you're searching Google for a photoshop technique to quickly remove chromatic aberrations and lens flare.

So here's the deal via my experience as a pro shooter AND from working in a camera shop with an owner who's more interested in making profits the RIGHT way moreso than BY ANY MEANS NECESSARY.

B&C Camera in Las Vegas, Nevada has a plethora of UV filters. Some of them are inexpensive but NONE of them are poor quality. But even with that said, here's the deal. You don't go all in on high end lens gear and then use the least expensive UV protective filter. And nobody there is going to talk you into ceramic UV filters when you buy an entry level camera that comes with a $200 lens. Neither of those cases make much sense and an educated consumer paired with a knowledgeable salesperson, at a camera store run by a fair-minded owner will equal out to more satisfied customers who come back for more gear later.

Art Model, KristiC ©2016 Terrell Neasley

I see a lot of broken UV filters come through the store. I also see many lenses coming in for repair from drops. Every last one of the customers coming in with a busted UV filter is MORE than happy to let the guys behind the counter use special tools and expertise to remove a UV filter that's busted, bent, and won't come off by traditional means after a serious drop. You should see the look on these guys' faces when the lens is revealed to be okay. They buy another UV filter and leave the store much happier than when they came in.

My advice? Get a high quality UV filter. Spend $70 to $120 on a good one comparable to the lens you are placing it on. Again, you don't buy a high end sports car and go to Wal-Mart looking for the cheapest tires you can find. I absolutely love the HGX UV filters by Promaster. These come in a red case and are guaranteed against scratches. That's how hard these things are. Special coatings on on these filters, front and back, made from hardened glass, with a flat black coating on the barrel ring to absorb stray light so it isn't reflected into your lens at bad angles. I have high end Sony glass and all my lenses have the Promaster HGX UV filters on them with zero color shift.

They also make other UV filters of varying quality. If you have an entry level lens, feel free to get the green-case multi-coated UV filter. A mid-range lens would benefit from the orange-case Digital UV filter. If you're paying a $1000 or more then get the red-case HGX UV filter with the guarantee. Scratch it...bring it in and get a new one. Simple as that.

Art Model, KristiC ©2016 Terrell Neasley

Indeed you will hear about those who have had their lenses for YEARS and have never dropped, banged up, or had an accident that resulted in sending in a lens for repair. That's good for them. I personally, don't like taking the chance when a simple, but QUALITY UV filter can extend the life of the lens. They may not break the lens, but I can assure you that over time, that glass will get pitted from sand, grit, and acidic elements in the air that will degrade the coatings on that lens. So to me, its worth it to protect my good glass, especially when there is ZERO quality loss in the process.

28 November 2012

How to Shop for YOUR Photographer


Heather Rae, World Traveler, Photographer (Nikon),
and Writer from In Search of Squid
As I mentioned in the last post, I spend a couple days a week at B&C Camera, owned by my friend, Joe Dumic. Everybody in this shop is shooting pro work. So with Christmas coming up, I figure you might be thinking about getting that photographer in your life something special and if he/she is anything like me, we're all picky as hell. This may be your significant other, a son/daughter, boy or girlfriend, or whoever. Maybe its an uncle. Shopping for a photographer can be tricky. Sometimes it might be better to NOT get us anything related to photo rather than get the wrong thing that we can't use or don't want for whatever reason. So let me help you out a little bit. Here are a few pointers and options. Holla if you have questions.


What you need to know for your photographer:

1. You have to find out what your photographer already has. That doesn't mean you need to trick them into giving you an inventory of their gear. But you have to first know what brand of equipment they have and then what type of camera it is. What do I mean with that? Eighty-eight percent of most photogs are shooting either Canon or Nikon and the gear brands are not interchangeable. Sony, Pentax, and Olympus are other brands that some people stick to. Then you need to know the sensor format. Chances are it will either be a full-frame sensor, identified commonly as FX, or it will be a cropped sensor, commonly identified as DX or APS-C. That's important to know because lenses built for DX cameras will not generally fit on a FX camera. These are considered DSLR cameras. If your photog is shooting either medium format or large format, sheeshh... contact me directly.

Chances are, your significant other will have mentioned at some point, what gear they need or have on their wish lists. All you have to do is listen. In terms of buying them a lenses, which is ALWAYS a good choice I might add, they will probably be throwing out a lot of numbers like 70 to 200, or 2.8. You may hear them talking about fast glass, wide-angles, or tilt-shift. Write this stuff down as you hear it and try to get it as specific as you can. THEN, go up to B&C Camera and tell them the information you have acquired and let them guide you on a proper choice.

**NOTE: And let me throw this caveat out there as well. We're talking about PHOTOGRAPHY. Be prepared to drop some bills. My folks freak out when I tell them I spent $2,000 on a lens. To a photog, this is not an issue of expensive or not...its a matter of what we need. Better gear nets better quality.

With respect to cameras, all you have to know is what camera they currently have and then go to B&C to find out what a proper upgrade might be. It might even help you to sneak into their camera bags, or where ever they store their gear and take inventory on what they have. This will tell the B&C guys how old their current cameras are and they will help you with reasonable upgrades within your budget.

Portrait, British world Traveler, Central America
2. Another thing that will aide the B&C representatives in helping you find the right gift is to know what genre of photography your photographer shoots. The needs of a SPORTS photographer is entirely different than a LANDSCAPE photog or one who shoots BOUDOIR. If your photographer has a website, let the guys at B&C know. They can see clearly what your photographer shoots and what their primary business is modeled around. Their gear preference might also be located on their websites under an ABOUT ME or BIO tab.

3. There are some gifts that you should NOT try to purchase under ANY circumstances unless you ABSOLUTELY know what your photographer wants. For instance...photography BAGS are one of those things that is just so personal and intimate to a photog that it would be easier for you to avoid that purchase. Its sort of like a woman and her purse. She will buy this purse on so many factors that have nothing to do with size, shape, or cost. Its just to risky. Don't do it. Ask the B&C guys for help on this. By the way, there are several associates working on any given day, so if you speak Spanish, ask for Angela, German...Joe, Lithuanian...Ugi or Rob, Mandarin...Lucy, or Black Guy...come find me. And all of us have varying degrees of expertise. Rob...Video, Lucy...Underwater, Me...naked people!

4. If you want to stay on the safe side, storage cards can be an excellent option. Large capacity brand name cards can be appreciated no matter if they already have some or not. Make sure you know if their cameras need CF or SD cards and get the top of the line and largest capacity you can budget. B&C sells some excellent SanDisk and Promaster cards up to 128GB and 1000x speed. Just ask for the biggest and fastest cards if you don't want to get into the numbers on that.

Portrait, Californian World Traveler, Central America
Lights are another safe option. Speedlites or on-camera flashes are great, but you have to know the brand of camera it matches. Monolights, such as the Elinchromes brands (along with accessories) are top of the line and great for either camera brand. You can ask the professional reps for assistance with that. Along with that, if you can get a high-end carbon fiber tripod by Manfrotto or Gitzo, you really can't go wrong (I bought this one last year! Love it!). If they already have one, again find out what brand they already have an upgrade it. PocketWizard wireless flash triggers are an EXCELLENT option. The new PocketWizard Plus IIIs are excellent...again, know what brand of camera first. They are coded for a specific manufacturer.

5. Find out what Christmas specials are being promoted right now. Tamron lenses have significant rebates in addition to the Canon and Nikon ones. This information will be posted throughout the store. If all else fails, get a B&C gift card and put $500 or so on it. Maybe a $1,000, if they've been nice.

And the last two points of concern are about you:

6. Don't be afraid to get yourself a little something-something. Treat yourself to a nice camera as well. The Nikon 1 system is an excellent alternative to the regular old point and shoot cameras. They have the same simplicity but a quality that comes closer to the larger cameras systems your photographer uses. The Nikon N1 J1 and the N1 V1 are mirrorless cameras that are very affordable right now with rebates up to $450 off. And if you really want to step up quality wise, check out the Sony NEX-6 or the NEX-7. These Sony brands use some of the same sensor sizes as the larger DX cameras your photographer might use. The NEX-7 sensor is 24MPs! Let your B&C store associate help you with the best choice for you. They will also help you set up your camera and assist you with getting started. You won't find that with online stores. If you have questions later on with it, visit the store again and they'll show you how take care of those issues.

World Travels I met in Central America
7. Take the two classes offered by B&C for $35 each. They teach beginner and intermediate level classes twice a month. After your second class, you will have a better understanding of what your photographer is talking about and can better share in that experience with them. I challenge you to tell me another way you'll bond with your fave photog quicker than that.

In addition, you can hire ME for a personalized, but flexible 2-week training session for yourself or you AND your photo guy/gal. I'll run your through a myriad of scenarios that cover everything your camera is capable of. I teach by hands-on training in the field. Classroom time is minimal. You will learn by shooting, covering all the basics and then some of the advanced mechanics of photography, cameras, lenses, lighting, etc.

So enjoy your the season. Spend time with family. And shop with confidence that you'll get the right gift for your photographer. For the record, I shoot NIKON and ANY of the guys at B&C will know exactly what I need.

B&C Camera
4511 West Sahara
Las Vegas, NV 89102
Open 7 Days a week from 10am to 5:30pm
702-871-1100
888-435-4607
info@BandCCamera.com