Showing posts with label Fine Art Photography. Show all posts
Showing posts with label Fine Art Photography. Show all posts

10 April 2022

Less is More... Stop Shooting So Damn Much!

 "Art is the elimination of the unnecessary."

 –Pablo Picasso
Absolutely nothing fast about 12 shots per roll, Hasselblad 501c film camera with prism viewfinder

There is this one scene in "The Secret Life of Walter Mitty" between actors Sean Penn and Ben Stiller that epitomizes a concept that I think is often forgotten among photographers as well as people just taking pics. Not every memory needs to be captured by a camera. Not every moment needs to be immortalized on a "memory" stick. There are some instances when the camera does more harm than good. To paraphrase Sean Penn's character in the embedded video, "The camera can be a distraction." And that's what I want to talk about a little bit here.

I've had a few moments like this when I chose not to bring my camera on a trip. I actually got vilified mainly because, "I was wasting opportunities..." and "I may never get to return to this place..." and so forth. That's not the way I looked at it. There have been more than one occasion of these instances, but in this particular situation, I wanted to enjoy my time with a friend who wasn't a photographer and I didn't want to spend all my time "needing to get the shot". Otherwise, I would have ended up neglecting the companionship for which I traveled there for in the first place.

Simplicity, Copyright 2010 Terrell Neasley

Here's another reason you don't need to take a picture of everything. Petapixel.com once did a post on their popular blog an article by the British Psychological Society that they titled, "Simply Snapping a Photo Harms Your Memories of Things, Study Finds". Now their study requires a bit more research, I'm sure. They use a base their finding, per the article, based on a sample size of 50 undergraduate students. 5000 students would have been more convincing, but the findings are nonetheless comparable to my own experiences, albeit not as measurable scientifically.

Put the damn camera down! I've talked about this before. Look around yourself and just enjoy the moment for what it is. At the very least, slow down. Get a few shots and stop. Blasting on rapid fire mode trying to capture everything tends to make you lose the gift of the memory and here are three reasons why this makes sense:

One... Repetitively speaking, your mind won't feel the need to remember something you know is already recorded when you establish this as a habit. It takes the work away from the brain. No need to commit a visual to long term memory when you think you've captured every aspect of it with 312 shots of one scene.

TWO... Odds are, you're never gonna go back and look at those pics. They'll stay on your SD card or computer hard drive. And there's a stronger propensity that nobody else is going to want to look at those pics even if you did pull them out. Think about it. NOBODY CARES! Who wants to sit and mull through all 1,538 of your vacation photos. After a while, even you'll get tired of the 11th image of the same scene and start fast forwarding through to find the good ones. And if you look like you're bored, why should anybody else sit through them.

And Three... You create so much extra work for yourself. When you download all those filled-to-capacity SD cards, or whatever storage media you are using, a few things take place. You realize you have to go through all those photos! AND now you have clogged up your hard drive with a bunch of nonsense. A few months down the road, you'll be at your max capacity on your hard drive and then going through folders to see what shots you can eliminate. Save your brain the stress and your hard drive the unnecessary wear. 

Copyright 2012 Terrell Neasley

"It’s not the daily increase but daily decrease. Hack away at the unessential."
 –Bruce Lee

Here is one more reason why you won't remember so well and why the camera can be a distraction. When the camera comes between you and a memory, think about why you actually see versus what the camera sees. When you take in a moment without the camera, you have almost a 180 hemisphere of sight in front of you. Not only that, but ALL of your senses can become engaged in that moment. You remember the aroma of the honeysuckle that has completely engulfed the fence that your kids are playing next to in a mud puddle. You can hear the low hum of all the bees and wonder if you should have the kids play elsewhere, but rationalize that you are being over-protective until the youngest one grabs a bee and is stung.

Copyright 2012 Terrell Neasley

All that makes for a story and engraves that memory in your brain. You are totally engrossed in that moment and are capturing information using all your senses. Now try to think of that same scene but now, close off all your senses except for your sight, because that's the only one you are paying attention to. Then take an empty paper towel roll and view that same scene looking through it. Can you visualize that? How much information is actually being recorded to your brain? Not much! You've limited yourself to tunnel vision and sounds and smells have no relevancy any more.

And show some respect, like my friend Marci in a museum. Do you really need to take pics of someone else's art? Put the camera down. Use your eyes. Record it to your brain. Its not your responsibility to have something to show the next guy. Let them come to the museum on their own and experience it in person. Your job isn't to record and share with the world for sake of posterity. If anything, come back with a story! Tell that! Motivate others to visit that museum!

Shoot less. Otherwise you cheat yourself.

13 September 2019

Three Reasons to Upgrade Your Gear

Art Model, Panda
There is some really nice new gear out there right now! I mean, well first off... it's about that time of year for it, so many manufacturers are due for upgrade announcements and the holidays are coming up. Nonetheless, there is a ton of stuff already out there. Yeah, I'm looking at you Sony. You too, Fujifilm!

Now I've talked about this before and as a photog, I'm routinely asked about the latest and greatest. Personally, things are a bit different for me as I'm trekking the globe. My priorities aren't solely with the camera anymore. Backpacking comes with its own unique requirements, between expenses dealing directly with travel as well as gear unrelated to photography. Plane tickets, car rentals, accommodations, food... those are all things I need to plan for on a weekly or monthly basis. I recently had to drop a cool grand on cold-weather gear. And it came right at $1,000. I'd much rather spend that on camera gear!

Art Model, Panda
I'm currently back in Peru, but in a few weeks, I will be headed waaay down south to Ushuaia, Argentina. I just saw a video of that city, present-day, and there's a friggin' snowstorm. I know nothing about the place. I have a feeling that everything I've done to research and prepare will not be enough. Which just means I'll have to make adjustments on the spot. Somehow. So my immediate concerns may not be like everyone else's when they are trying to decide when to upgrade.

Back to my point... This is when you upgrade.

1. WHEN YOU NEED TO!

Over the years, as I developed my skills and my business, my needs in photography changed. That meant that I had specific standards and requirements that my current line up of camera bodies and/or lenses no longer met. My very first ever set up was with the Canon 40D. It was a very capable system. I paid $1500 for it 2008. Loved it! Why? Because it was the first digital camera system that I felt matched what I was doing in film.

A problem arose when I shot a wedding with the camera in limited lighting capabilities. I had to push the ISO too much and it showed, thereby affecting my standards on the quality of my print jobs. I kept the camera, but I upgraded to the Canon 5DII, arguably one of the most revolutionary cameras ever. No more problems like that! AND... I paired it with a Canon 7D and I rolled like that for years. That set up was great for my business for what I did.

Art Model, Panda
By 2012, I began venturing away from photography as a shooter and more oriented myself with photography as an artist. My standards changed. I was shooting more fine art prints and I wanted to more heavily concentrate on printing and I wanted to only print large images. No more 8x10s for me. The full-frame 5DII did the job... to an extent. It took me a bit to figure out what my frustration was as a photographer. I could still print a 30 x 40, but my work had no depth. I needed resolution! To me, that meant medium format which at the time had a steep barrier to entry with a $25k price tag just to get a camera and a body.

Nikon came out around that same month with a 36mp full-frame system for $3300 that became available a week before I was to head to Nicaragua. If you bought all my Canon gear new, you'd spend over $20K. I sold it ALL for Nikon. I did not care about price. Availability was all that mattered and I got the Nikon D800e and it got me what I needed. But the weight!! Back home, no problem. But when you travel and everything is on your back, it matters! Two years later, I was in Sony which gave me resolution, in a much smaller package and I have not looked back.

Art Model, Panda
2. WHEN IT MAKES SENSE TO!

This one is easy. After I bought my Sony A7RII, the most significant camera I have ever owned, they eventually came out with another version, the A7RIII. The similarities between the cameras were NOT significant enough for me to upgrade. Yes, I could have used the bigger battery and the two card slots. Other than that, the increases in performance, speed, etc., was negligible. In addition, I shoot with an a6500 crop-sensor camera as well. Had I upgraded, I'd have to pack and deal with two different battery types. Basically, when I DO upgrade my a7RII, I will upgrade the crop-sensor as well. So presently, it made no sense for me to upgrade.

Conversely, if I damaged my a7RII, then it's all a different story. Yes, you COULD buy another duplicate camera. The a7RII is still available for sale, at a much more decent price, at that. But if you have to buy a camera anyway, get the best one available! So in effect, it MAKES SENSE to upgrade your camera. That's perfectly justifiable. And in my case, I'd upgrade both my camera systems.

Art Model, Panda
3. WHEN THERE IS NO GOOD REASON OTHER THAN YOU WANT TO!

And finally, I've chosen this option as well. I'm much more streamlined now, mainly because of my traveling. But there was a point in which I had so much friggin' useless gear, it was ridiculous. I'd upgrade for no other reason than it damn well pleased me to do so. And it is primarily for this reason, that I will not hate on you if you chose to do so. Go on, with your bad self. If you got the cash, spend it! Now if you don't have the cash and are using rent money to upgrade, I'm gonna talk about how your Mama didn't raise you with common sense. Other than that, ENJOY!!

Confession...
I do not need it, but I have my eye on that Sony a7R4 for the end of the year! Can it make my work better? Well, yeah. It's 61MP with pixel shift muli-shooting capabilities to boost resolution even further! Can I still kill with my current gear... yes...

So, that would put me in category 3 if I upgraded. See where I'm going with this? At any given time, you can be in any spot. Hence, No hatin' from me.

Peace! Mo' Power and Mo' Resolution to ya!

Art Model, Panda


09 December 2017

On the Concept of Change

Art Model, Kristi C. © 2017 Terrell Neasley
Boy, oh boy, oh boy...

If there is one thing you can count on in this life, it's change. If you're not ready for it, able to anticipate it, or otherwise adapt to it, you will live your life on your ass instead of your feet.

Okay. Recent events have transpired that have made me rethink and alter my future plans that I may have detailed in my last blog post. October had to have been one of the most challenging months I've had in some time. Southeast Asia...well, sorta but some other things will come first. And I'll get into all that later, as in probably another blog post. I'm encouraged, though by the way the course of events were laid out. If my back procedure had not been scheduled when it was which made me delay my SE Asia trip, I'd likely been less prepared than I am today. So I'm glad I was home throughout October and November.


But for right now, just to let you know I haven't stopped blogging, I wanted to catch you up on some shots I got to do with Art Model Kristi C. when she visited Las Vegas sometime around this past October. When she called and told me she was going to be in town, my brain went into overdrive to arrange a shoot. She was only here for a few days and my time with her was limited. So maximizing the opportunity was the name of the game. We got two locations that were ultimately quick in and out shots due to time limitations, but I think we did a great job in accomplishing our objectives.

We shot near Vegas and even with the time constraints we bee-lined up and back into Utah near St. George virtually on a whim. Of two locations, we actually got FOUR different scenes and any one of them seem non-related to the other three. I'm pretty sure we spent more time on the road then actually shooting. I definitely wanted more, but as she had more objectives then just shooting with me while in Vegas, you gotta respect a model's time. So taken what's given and making the best of it is all you can do. And I think we did well with that. So since this is a much shorter blog post than usual, I'll fill in the rest with pics. Enjoy


















26 February 2012

"A Year in Review of the Nude"

Another look at 

Cover Model, Mercy:  "A Year in Review of the Nude: 2011"
I think I'll make an attempt to refocus on my book, "A Year in Review of the Nude: 2011". I've had several more inquires about it and recently, my friend James and I were discussing it over lunch at my friend's restaurant, Thai Pepper, here in Vegas. In all the events dealing with post-operative recovery from my microfracture knee surgery, I hadn't done so much to promote the book. In my last post in which I talked about it, my own copy was still on order and had yet to arrive. Even after it did finally arrive, I showed it off a little, but I was still in considerable discomfort at that time and the name of the game was pain-management. So I think I can bring a little focus back to the book.

Art Model, Panda,
"A Year in Review of the Nude: 2011" 
"A Year in Review of the Nude: 2011" is a self-published, print-on-demand Fine Art Photography book that I had printed by Blurb.com. I've used this company over the last almost 4 years and they have been quite impressive. Over the years, they have made several strides in both the development of the book template designs as well as the quality of paper stock in which they make available. They just created an even better premium line of print paper that I am very happy with and have chosen to utilize it exclusively in this book, making it more costly for me, but your costs stay the same. In most cases, you can purchase books in any variety of paper quality or even a soft-cover. For this book however, I want it to be more representative of my own art. After seeing it in the best paper stock they make, I decided to go with it exclusively. I prefer to stick with the same concept I use for the rest of my art. So to remain consistent, I only want it presented on the best paper I think I can get at that value. At WPPI, I came across some other print and book vendors who also have fine paper. So far, I have to stay with Blurb.com for the value. Printing the same book with some of those vendors would have taken my own costs upwards of $350 to produce each book. Through Blurb, I am able to offer it to you at this level of quality for $149.99. So for now, Blurb it is.

My book is currently listed 4th when doing a search for NUDE in the blurb bookstore. Cool, huh?

When I first got the book in hand and opened it up, I was instantly pleased with the product. Its not just thicker paper but better quality all around. I compared it to some of the other promotional books I've made and it is indeed superior to those. As I mentioned, I've used this company for almost four years. This has mainly been for the benefit of private clients. I've shot everything from a baby's first birthday to more intimate concerns like a wife's Christmas present for her husband. "A Year in Review of the Nude: 2011" is notably the first book I've done just for my own interest. Every other book has been made to satisfy client needs. Several are not available for preview to the public. This book however will become an annual review, but there will also be others I do to showcase a particular model or event. In fact, I had planned on doing one exclusively on art model, Panda to be released in March. In light of recent concerns and diverted attentions, I think I'll delay it for a month or two, but I already have enough work on her to produce a book right now.

Art Model, Enyo,
"A Year in Review of the Nude: 2011"
I don't see the book as pricey as many have implied. I don't think I could emphasize enough to not look at this book as a regular book. Most people don't spend $150 on a book. I know that. Instead, understand that this is my own art. Many people will purchase art for more than $150 that depicts only one visual subject. Mine has 114... probably way to many at that price. I didn't make this book for you to look through and then shelve. You don't purchase a painting, look it over and then archive it in the attic. Its meant to be displayed and that's how I see this book. I could have sold it in a smaller size, soft-cover, on less quality paper, all for $35! But that is not what this book is. Preview "A Year in Review of the Nude: 2011" and order your copy from Blurb.com right now!