Showing posts with label Repost. Show all posts
Showing posts with label Repost. Show all posts

10 April 2022

Less is More... Stop Shooting So Damn Much!

 "Art is the elimination of the unnecessary."

 –Pablo Picasso
Absolutely nothing fast about 12 shots per roll, Hasselblad 501c film camera with prism viewfinder

There is this one scene in "The Secret Life of Walter Mitty" between actors Sean Penn and Ben Stiller that epitomizes a concept that I think is often forgotten among photographers as well as people just taking pics. Not every memory needs to be captured by a camera. Not every moment needs to be immortalized on a "memory" stick. There are some instances when the camera does more harm than good. To paraphrase Sean Penn's character in the embedded video, "The camera can be a distraction." And that's what I want to talk about a little bit here.

I've had a few moments like this when I chose not to bring my camera on a trip. I actually got vilified mainly because, "I was wasting opportunities..." and "I may never get to return to this place..." and so forth. That's not the way I looked at it. There have been more than one occasion of these instances, but in this particular situation, I wanted to enjoy my time with a friend who wasn't a photographer and I didn't want to spend all my time "needing to get the shot". Otherwise, I would have ended up neglecting the companionship for which I traveled there for in the first place.

Simplicity, Copyright 2010 Terrell Neasley

Here's another reason you don't need to take a picture of everything. Petapixel.com once did a post on their popular blog an article by the British Psychological Society that they titled, "Simply Snapping a Photo Harms Your Memories of Things, Study Finds". Now their study requires a bit more research, I'm sure. They use a base their finding, per the article, based on a sample size of 50 undergraduate students. 5000 students would have been more convincing, but the findings are nonetheless comparable to my own experiences, albeit not as measurable scientifically.

Put the damn camera down! I've talked about this before. Look around yourself and just enjoy the moment for what it is. At the very least, slow down. Get a few shots and stop. Blasting on rapid fire mode trying to capture everything tends to make you lose the gift of the memory and here are three reasons why this makes sense:

One... Repetitively speaking, your mind won't feel the need to remember something you know is already recorded when you establish this as a habit. It takes the work away from the brain. No need to commit a visual to long term memory when you think you've captured every aspect of it with 312 shots of one scene.

TWO... Odds are, you're never gonna go back and look at those pics. They'll stay on your SD card or computer hard drive. And there's a stronger propensity that nobody else is going to want to look at those pics even if you did pull them out. Think about it. NOBODY CARES! Who wants to sit and mull through all 1,538 of your vacation photos. After a while, even you'll get tired of the 11th image of the same scene and start fast forwarding through to find the good ones. And if you look like you're bored, why should anybody else sit through them.

And Three... You create so much extra work for yourself. When you download all those filled-to-capacity SD cards, or whatever storage media you are using, a few things take place. You realize you have to go through all those photos! AND now you have clogged up your hard drive with a bunch of nonsense. A few months down the road, you'll be at your max capacity on your hard drive and then going through folders to see what shots you can eliminate. Save your brain the stress and your hard drive the unnecessary wear. 

Copyright 2012 Terrell Neasley

"It’s not the daily increase but daily decrease. Hack away at the unessential."
 –Bruce Lee

Here is one more reason why you won't remember so well and why the camera can be a distraction. When the camera comes between you and a memory, think about why you actually see versus what the camera sees. When you take in a moment without the camera, you have almost a 180 hemisphere of sight in front of you. Not only that, but ALL of your senses can become engaged in that moment. You remember the aroma of the honeysuckle that has completely engulfed the fence that your kids are playing next to in a mud puddle. You can hear the low hum of all the bees and wonder if you should have the kids play elsewhere, but rationalize that you are being over-protective until the youngest one grabs a bee and is stung.

Copyright 2012 Terrell Neasley

All that makes for a story and engraves that memory in your brain. You are totally engrossed in that moment and are capturing information using all your senses. Now try to think of that same scene but now, close off all your senses except for your sight, because that's the only one you are paying attention to. Then take an empty paper towel roll and view that same scene looking through it. Can you visualize that? How much information is actually being recorded to your brain? Not much! You've limited yourself to tunnel vision and sounds and smells have no relevancy any more.

And show some respect, like my friend Marci in a museum. Do you really need to take pics of someone else's art? Put the camera down. Use your eyes. Record it to your brain. Its not your responsibility to have something to show the next guy. Let them come to the museum on their own and experience it in person. Your job isn't to record and share with the world for sake of posterity. If anything, come back with a story! Tell that! Motivate others to visit that museum!

Shoot less. Otherwise you cheat yourself.

05 May 2021

Why the Camera You Already Have May Be Better Than You Think: Updated Repost

Anonymous Model, Copyright 2014 Terrell Neasley

"Start where you are. Use what you have. Do what you can."

I'm a Sony shooter. I started out years ago with Canon. And when Canon no longer suited my needs, I sold about $25K in Canon gear...all of it...and switched to Nikon. Three years after that, (#switchhappens) I made the plunge again into the Sony line of camera systems and will likely be here a while. I welcome the moniker, "gear-head", but I can objectively say I made all my changes based on need. When Canon's next line of cameras came out and it didn't give me what I needed, I had no qualms about dropping that line and investing in another. Nikon's switch had more to do with dropping the DSLR line because I was sold on mirrorless systems, namely Sony, but originally Fujifilm (XE-2, remember...).

Anonymous Model, Copyright 2014 Terrell Neasley


But here's the deal. Not everyone wants to drop camera lines like that, especially if you have a huge investment in the lenses. Or, getting another camera simply isn't in the budget at the moment. It's sorta like a used car that you've put so much effort, money, and time into that you gotta get the most you can out of the car you have. I think it might help a few of you to know that the camera you have right now, is probably better than you think. You may not have the same photo demands or feature needs as I do and if you don't require all that then here are a few things you can look into.

If you have purchased a camera in the last 10 years, even a DSLR, then chances are, it's actually a really good system for general purpose use. I've met PLENTY of people complaining that they can't get a good picture from their camera, when in fact, all they need is a little bit of knowledge on how the camera works. Take a look at Auto Focus. I think this is likely the most frequent issue I encounter. Blurry images account for the chief complaints, but incorrect AF is only one probable cause.

Anonymous Model, Copyright 2014 Terrell Neasley


With the Auto Focus situation, its usually a case where the camera is set to full auto. So in this setting, it's automatic everything. The problem here is that sometimes the camera will automatically focus lock on the object closest to the camera or to a subject that is moving. The camera operator has an image with SOME things in focus, but not the thing or subject that they wanted to take a picture of. In this case, taking the camera out of Full Auto mode should be the first step. If anything put the camera in Program or "P" mode. Then take out your manual (download it from the net if need be) and look up how to use center-point AF. This allows you to point at whatever you want to focus on and the camera locks on that one thing. If you're brave enough, check out Manual Focus. Camera manufacturers my call each thing something different. Canon is AF-Single and AI Servo/AI Servo-Continuous. Nikon is AF-S, or AF-C. Then they may go into autofocus zones or groupings in some way.

The other blurring I mentioned is when the subject is blurred or the entire picture is blurred because a slow shutter speed setting than AF. There are two things that might determine this. First could be the shutter speed itself. If the camera perceives that it doesn't have enough light, it will extend the amount of time the shutter is open and expose the sensor to light for a little longer period of time. Well, unless everything is absolutely still, there will be blurring. A single second is actually a LONG time when we're talking photography. Its nigh impossible to hold your camera still that long and not get blur just from camera shake, much less have your subject be still enough. Try shooting a baby with a one-second shutter speed.

Art Model Que, Copyright 2020 Terrell Neasley


If this is the case and you are in Program mode, look to your ISO speed and raise it till your shutter speed automatically moves at least 1/60th of a second on shutter speed. You'll usually have this issue when it begins to get dark and you're still trying to shoot pics of the kids outdoors. Sometimes, if you're in full auto, the flash will pop up and blast everything with light and that doesn't look good in most cases. Raise that ISO to 800 or maybe even 1600 and try again. Go higher if need be. But there is a catch! The higher the ISO, the more grainy or noisy the image looks.

I had to make my first camera upgrade from the Canon 40D (2007) to the full frame 5D Mark II (2008) for this reason. I required better low-light performance. The 5D Mark II had a bigger sensor which means bigger light-gathering pixels. It also had the ability to handle higher ISO much better resulting in high-ISO images, but with less noise in the image. Today, I work in much darker situations that still require speed and I can reach ISOs of over 100,000 and still look clean in my Sony systems.

Art Model Que, Copyright 2020 Terrell Neasley


Sometimes, a better lens can be your limitation. If you still rock with the kit lens your camera came with, its likely not going to be the best quality and is likely not fast glass. If you're Canon, try the Nifty Fifty, the 50mm f/1.8 lens for a little over $100. And for zoom lenses, I absolutely love Tamron's line-up whether you are Canon or Nikon. Tamron makes a 17-50mm f/2.8 (for crop sensor cameras) or a 28-75mm f/2.8 (for full frame or crop sensor cameras) of which both are excellent pieces of fast glass. Those lenses have wide maximum apertures that help let in more light. If you have newer cameras, I'd even suggest the all in one Tamron 16-300mm lens (not made for full frame cameras). Just make sure you get the Tamron lens specific for your camera, either Canon or Nikon.

In any case, learning a little bit more about your camera outside of the full auto mode can work to your favor and get you better shots. When your demands surpass the camera's capabilities, THEN look to a better system. Getting a camera with numerous Phase-Detect Auto focus points because you often shoot moving subjects is a reason to upgrade. Having a system with superior low-light performance because you do a lot of low-light work is a reason to upgrade. Or maybe convenience features like built-in WIFI for the ability to control the camera or download your images from your camera straight to your smart phone, swivel the LCD screen around for selfies, have a touch-screen LCD, you have a 4K TV and want to shoot 4K video, or you want to be able to continuously autofocus while doing video. It could be that you like your friend's ability to autofocus using Face-detect/Smile-detect/Eye-detect. Or you love shooting manual focus and heard how cool the Sony system can use Focus Peak to assist with manual focus. These are all reasons to upgrade. If your camera is simply not taking good pics, then chances are you could benefit from reading the manual, because cameras these days are actually bad ass.

Art Model Que, Copyright 2020 Terrell Neasley