My Travel Tech Gear... Mainly Sony

Anonymous Art Model, Copyright 2014 Terrell Neasley

I've often been asked lots of questions about my travels and I've run into several amateur and 2 professional photographers in these four months so far. Three or four questions just about always come up and the most persistent ones have to do with my travel photo and tech gear. So I'll take a blog post to detail what I carry and why.

BODIES

I shoot Sony and I rock with two camera bodies and currently 3 lenses. The body that is pretty much my workhorse is the Sony a6500. It does everything I need. I like the smaller body-style, yet the thing is a powerful beast of a camera. Here...click the hyperlink to check ==> THE SPECS <==. I've got images stabilization and 11 frames per second when I need it. Its weather sealed with a great 24mp sensor. I actually turn off the touch screen functions. Paired with the 16-35mm f/4, it gives me a crop sensored normal perspective zoom.

Art Model Mary, Copyright 2007 Terrell Neasley

My second body is the Sony a7R2. ( ==> THE SPECS <==) Why is this body not my primary, you ask? Its because the majority of the work I'm doing doesn't require the 42 megapixels this camera uses. I save this for the work that will capture my fine art images while the a6500 will take care of my documentary work, which is about 70% of all the shots I take. I almost upgraded this body to the a7R3, but I'm glad that I didn't. At least not yet. Tempting, for sure! But here's the deal. I don't want to upgrade until I also get two new bodies. I don't want to upgrade this camera and then have to carry another battery size. Right now, both my cameras use the same battery so I can interchange them. Upgrading to the a7R3 would mean another set of 6 batteries, minimum, plus two more chargers. Can't say that's a good fit for me at the moment.

Now if I also upgraded my a6500, (which I'm not sure I'd do), the a7III uses the same battery as the a7R3. That's plausible. But even so, I'm STILL not sold on  selling my a6500. That's how much I love this camera. So basically, I'd likely carry THREE bodies, even though that's not a goal. But here's the deal. I'm not entirely sure I'd want the a7III. Its selling like hotcakes, but I think I'd rather hold off to see what Sony does with the a7S3 which is likely due soon. That would suit me better than the a7III. So I wait and practice my patience lessons. At that point, I'll decide what to do with the a6500, especially if the a7s3 is pushing 10fps at a minimum.

Anonymous Art Model, Copyright 2010 Terrell Neasley

LENSES

As for glass, I'm primarily a prime guy. I mentioned having one zoom, the 16-35mm f/4 already. I'm not upgrading to the 2.8 version because I already get killer shots with this lens. For my purposes, the G-Master version gives me no added benefit. With that, the Sony 55mm f/1.8 is super bad for my portraiture work. The smaller size is more conducive to my travel work. I did not find the 85mm G-Master to be a better lens. The 55 is the best portrait lens I have ever owned even over my Canon 85mm 1.2.

Finally, I have Sony's 90mm f/2.8 Macro lens. There is not a better one on the market, in my opinion. Its one of the sharpest lenses made for DSLR or Mirrorless. And yes, I say that knowing that I've been quoted as saying Sharpness is over-rated. Here's the deal. I needed a macro lens and Sony made one. Its not my fault that it happens to be one of the sharpest optical instruments to ever don a camera mount. I will likely also add the Sigma 20mm f/1.4 if I can make that happen when make another trip stateside. This will be my primary astro-photography, night time, and landscape lens. So I'll have 4 lenses that I travel with. Notice, there's nothing on the super telephoto front. That means that the longest lens I'll have is the 90 on my a6500 which will make it effectively a 135mm 2.8. This is purposeful. My primary perspective is wide to normal. I don't really work in the super-tele range as much.

Art Model Katherine, Copyright 2008 Terrell Neasley

PERIPHERAL

Along with those, I pack two Sony HDR-AS100V Action Cams. I use these also for documentary purposes as well as time-lapse. These are older systems, but again...no need to upgrade. These things work great for what I need them for. I use them on a table top tripod, a clamp-style grip, and a regular-size travel tripod. Its the only other battery/charger system I have and I carry six batteries for them. My iPhone 7 Plus gets a lot of work as well, both handheld and with a cellphone holder that I can mount onto a tripod. I'm still doing snap shots and video for social media with it. I have one speedlight with me. Its a Canon 430EX II that I mount with Phottix Ares wireless transmitters.

Art Model Jacinda, Copyright 2007 Terrell Neasley

I currently have no laptop I can edit on. I have never edited on one...ever. Since this is an extended travel, I don't have the choice of waiting until I return. So...I'm wracking my brain on what to get later when I come back stateside this summer (just for a few weeks). The lead candidate is the MS Surface Book 2, (maxed out 15" version) but DAMN! I do not want to pay $3500 for that thing (and accessories). Runner up is the Gigabyte Aero 15x. A bit more reasonable, but still over the $2K I'd much rather spend. Hell, maybe even that's too much. So I'll have all that sorted out by the time I return. Maybe something else will come out that meets the spec sheet and features I'm interested in. The main thing...speed. I don't want to have to wait forever rendering videos, images, or anything. Speed, but versatility, future-proof, and battery longevity.

That's it for camera tech in my bag. Looking forward to the additional gear this summer. I'll post on the new additions and eventually post on their performance.

Art Model Covenant, Copyright 2015 Terrell Neasley

Contemplations

"Experience is a hard teacher. She gives the test first, the lesson afterward."

~Anonymous

 

As interesting as the above quote is, there's a ring of truth in it that cannot be denied. So far, I have no idea how I am doing on my test, nor even how much longer it is. More still, I have no idea as to the lesson I am to learn or even if its one I CAN learn. In school, I did fairly well on exams. Even if I didn't study or prepare myself for them, I had a knack for knowing HOW to take tests, especially ones that were multiple choice. I learned to deduce the correct answer in most cases to at least earn a low "B". In the event where the answers took essay form, I learned to basically BS my way around for at least partial credit. It was the fill in the blank questions that usually got the better of me. Even then, I could answer some of the questions by continuing to read the following questions, hoping for a clue.

 

Where am I going with this? Good question, because I am not all so sure. My current challenges in a city with drastically high unemployment still remain. Yes, that's the more obvious and probably more pertinant situation that I most needs to resolve. However its the conundrum of my photographic art that has me slightly puzzled at the moment. I often meet potential models in my comings and goings of daily living. As I meet someone I may happen to be interested in shooting, I make no hesitations in introducing myself and asking. It just so happened that earlier this week, while at a Denny's restaurant, a young lady I spoke to about my work asked me what it was that I did with my art since I made no real effort to profit from it. Of course I explained that as any artist, my endeavors are to exhibit and share it. I explained that I did so on my web site and blog. She looked at me, as if to say, "That's it?". Or maybe I just read that into her pause, as she starred at me, waiting for more in my answer.

 

Another potential model even earlier than the last, asked if I was any good. With my chest thrown out and a slight smirk on my face, I tried to resist a prideful or boastful answer, so I kept it simple and said, "Of course." But then she asked, "Says who?" I found myself searching for an answer that wouldn't set myself up for a response like the one you get when someone says, "Beauty comes from within." To which the popular response is, "That's what ugly people say".

 

 

So how much creditablility does an artist need before he's officially "good"? Does that warrrant being famous and well-known? Then at what level do you achieve that? Does local cred count? How do you get famous in the nude art arena? How do you establish yourself as "good"? I know I like my own work, but then that's kind of like asking a mother if she thinks her child is a handsome or pretty. Is doing art for the sake of art not enough or are credentials necessary to validate your street cred? Who knows? These are just a few other things I have to figure out for myself. Now that I have time on my hands, I can contemplate these things.

Kolob Reservoir and the Narrows

"They came from Salt Lake"

"Thank you, for serving! Peace and Love!" -Tristan

Put another great weekend in the books. Did I say that on the last post? Maybe I did, but the truth is the truth. I took off with Felix and Summer again. This time we headed north up into Utah to Kolob Reservoir. Felix and everyone that went got there on Friday evening, but I didn't arrive til that next Saturday morning. I still had errands to complete before I took off for the weekend. I got to meet some very interesting people... Obrah and Candace, Ed and Ashley, Sally, and a few others. It got kind of chilly, surprisingly, but I guess when you're next to a lake, you should expect that. The place was nice. I tried to swim out to an island about 250 meters out, but I got half way and just barely caught my shorts with my big toe before they were certain to be lost to the murky depths. Granted, I'm used to being naked in front of strangers, but hey...this was in the middle of the day and there were plenty of kids around. I don't expect them to receive a mossy grass-covered naked black man too favorably. Several of us played catch football in the water. Footing was very slippery, so leg stability was lost in trying to get an accurate throw. It was still fun to attempt it.

The following day we packed up and headed into Zion to hike the Narrows. It was my second time hiking upstream again, but I wasn't as motivated to take pictures. All I could think about was getting a model in there. I've got someone in mind whom I have talked extensively with about this project. That would be Liliana, from the Bay area. In fact, I've promised to not shoot any other model for this project unless she turned down the project first. The problem is getting her here. She's offered to forego her usual fees in order to work with me provided I can fly her here and take care of her expenses. I've only recently started working and I am almost afraid I'll miss my window of reasonable weather before I can afford to bring here here and ticket prices are rising by the day. Anybody wishing to make a contribution to my efforts are more than welcome to donate using the Amazon Honor System thingie on the right or Paypal. We'd both appreciate the gesture.

Liliana is a lovely girl and I've thought long and hard on the body type and mentality of the model for this project. I should say durability instead of mentality. What I need is a girl that's a bit more hardy than the standard girl from the city. Liliana has the mentality of doing what it takes to make great art and has endured temperature extremes before. I have no intention of taking her for granted or abusing her, don't get me wrong. I won't let her endanger her health or welfare. I've got some other possibilities for more projects requiring hardy models and would like to involve Isobeau from Salt Lake City.

Speaking of Salt Lake... I ran into a hiking group while doing the narrows. Tristan, Carter, Monica, and Madison were coming in from camping in the backcountry at the Narrows. These guys were hiking the entire length of the Narrows. Most visitors start out at the low end and hike up as far as they want, then turn around. To start at the top, you need an overnight permit because there is no way you're going to hike the whole 16 miles in one span of daylight hours. Then again, it might be worth it to try. I met them way back into the river where very few other park patrons dared tread. I hiked with them a little while before I had to pick up the pace to catch Felix and Summer who were already heading back. Tristan caught me off guard when he thanked me for serving in the military. I was wearing my dog tags, which I frequently do, and I have a tattoo of the 101st Screaming Eagles on my left shoulder. People thank me like this often enough, but its still surprises me, I guess. No one ever told me this while I was serving, I don't think. I've talked to a few other soldiers who share the same sentiments. For me, I guess its still a hard thing to say "You are welcome". In some ways, I know there are more who sacrificed and lost so much, to include their lives. Those are they guys who truly deserve our appreciation and it should be extended to their families. I lam truly looking forward to getting to see Tristan and those guys again. I have every intention of heading up to Salt Lake to shoot and would love to hang out with them there.

After it was all said and done, we got back quite late. Getting up to go to work the next morning was a bear. In addition, I was up all night with Felix again the next night. Being a good friend, Felix offered to fix my breaks. Coming down from the mountain did a number on my brake pads and rotors. I knew I was getting close and needed to have them changed, but coming down the mountain just wore them out. I was pretty much metal on metal by the time I got to the bottom. There was a guy in front of us who chose to do 20mph going down. My breaks couldn't take it. I'm good to go now, thanks to Mr. Felix G!

I thought I'd throw in a face I hadn't seen in quite some time. This is Jacinda, whom I've truly missed photographing. We got to do one shoot, with plans for several more, but... well, she got married and doing nudes wasn't conducive to the feelings of the new hubby. Several people have likened her unto Gretta Garbo. She's got that classic old Hollywood stlye of imagry that seems to come out when I shoot her. Yeah, now that I think about it, I need to make a more concerted effort to return to do a new shoot with Jacinda. Good Gracious, she was good.