Showing posts with label Sony A7RMarkII. Show all posts
Showing posts with label Sony A7RMarkII. Show all posts

04 May 2017

Gear Equilibrium - The Pinnacle of Photographic Achievement

Art Model, Covenant ©2015 Terrell Neasley
"An equilibrium can never last. Dynamic forces are always at work. But there are times when even those forces must rest. It is in that moment that life finds it's balance."
~ Terrell Neasley

Last month I picked up the Sony FE 85mm f/1.4 G Master Lens. Today, my pinhole body cap came in the mail. I haven't yet played with it, but upon that acquisition, for the first time as I can recall, I think I have reached a point in my life that I might just have everything I need as a photographer! It is at state of photographic achievement whereas the equipment you need is in perfect balance with the equipment you have. I don't know for how long this feeling of "Gear Equilibrium" will last, but I do not have a compulsion or longing to buy another camera or lens. Its like that final scene in Matrix Revolutions where The Architect asks The Oracle, "How long do you think this truce will last?". And she replies, "As long as it can."

Art Model, Covenant ©2015 Terrell Neasley
So who knows how long this equilibrium will sustain itself. Currently, my repertoire includes  2 bodies, 3 wide-angles, a macro, and portraiture glass. I haven't had a real need to have telephoto in my arsenal since I last shot Canon's 70-200mm. Upon my transition to Nikon's high resolution D800e which gave me the ability to crop in quite a bit, I had less need for the telephoto applications and perspectives. In addition, some timely advice from a travel mag editor suggesting more environmental portraiture, as well as inspiration from Gregory Crewdson, particularly his work in "Beneath the Roses", shooting wide has become more prevalent in my work. My main workhorse lens is my Sony 16-35mm f/4 which is the only zoom lens I own.
Art Model, Anne ©2015 Terrell Neasley
The recently announced Sony A9 won't be anything I will add to my current line-up of bodies. Great camera, but not anything I need for the time being. That doesn't reflect negatively on the A9 as much as it credits the badassity of the Sony A7RII. This is simply an amazing system. I don't need the 20 fps speed. My a6300 will give me 11fps when I need it, albeit, cropped. I am fine with 1 card slot for the time being. The 42MP resolution is my main preference.

Art Model, KristiC ©2015 Terrell Neasley
I have no doubt that Sony will likely announce the A9R maybe even by the end of the year. And maybe even an A9S. I'm still good. It'll still be a full-frame system and even if its 50MPs, I'm cool at 42. If I'm looking at another camera body...and I'm not...I currently reside at Equilibrium Ave ...But IF I'm looking at another body, it would be the Fujifilm GFX 50s Medium Format system. Granted. I'm fine with my Sony A7RII right now. But if funding suddenly wasn't a factor to possess that body and a good 3 lens line-up, yeah I'd be all over it. Like ALL over it. But seeing as how that would easily be upwards of a $15K investment...I'm good with the gear that's already on my shelf.

Art Model, Leslie ©2015 Terrell Neasley
With all that said, I can still hook myself up with some accessories. I could use some more SD cards, batteries, and another cable release. I lose those things so easily. I may even find myself in the market for a good slider and a drone has crossed my mind a time or two. I could also do with an upgrade to my computer. Or a new one. It mainly needs a better video card, but after 6 years, I'm sure a new one with the current processor speeds may favor my workflow better. Storage and RAM...I'm good on that.

Gear Equilibrium is a good place to be. I thought it was in imaginary place, but apparently not. How long will it last? As long as it can!


20 April 2017

Return of the Panda


Art Model, Panda ©2017 Terrell Neasley
"There is nothing like returning to a place that remains unchanged to find the ways in which you yourself have altered."
~ Nelson Mandela

If you haven't seen it or heard the news, Sony just announced the much awaited and rumored Sony a9 system. Its a beast of a system, at that. You can see the details of the camera on the Sony website. The thing has almost 700 phase detect AF points which now practically covers the entire sensor and can shoot continuously at 20fps WITH AF/AE on each shot. Its got dual SD card slots now. I really miss that from my Nikon and Canon days. The battery life has doubled. It can shoot silently with a shutter topping out at 1/32,000 of a second. This thing definitely set new standards of what can be done in photography.

Art Model, Panda ©2017 Terrell Neasley

But its not for me. Its designed for sports, but I'd love to have it for my own purposes as well, mind you. However, it still doesn't suite me better than the Sony a7rII. I still love that camera and if I need speed, I have the fully capable Sony a6300. Yeah, its the same one I bought for my girlfriend, but I traded her my full-frame a7II AND my beautiful 55mm 1.8. On the surface, its a dumb trade. I'd have to be entirely stupid to make this trade with anybody else. The operative word here is "girlfriend". So that makes it a good deal, albeit selectively. But that's okay. I lost the 2nd best lens available for the a7rII. There's only one lens better and that's the Sony G Master 85mm 1.4. And I just picked it up. So don't cry for me... I'm good.

Art Model, Panda ©2017 Terrell Neasley
"I'm a storyteller; that's what exploration really is all about. Going to places where others haven't been and returning to tell a story they haven't heard before." 
~ James Cameron

And then guess who came back to town for a visit. I'm sure you figured that out from the pics. If you've followed me for more than a few years, you'd know that Panda was the one model I had photographed most. (Now Tracie...er...Art Model, Covenant holds that honor.) As an artist, she's one of the few among hundreds who has allowed me to get better as a photographer. That's the actual function of a muse. I might have 5 like that in my life right now. I always want to tell a story with my camera and she's aided me in my own self-exploration and expression. She was on her way to Peru and knew she needed a new camera system to make some great pics on her journey. She gave me the specs on what was most important to her and the Sony a6000 fit the bill. Am I a bit biased towards Sony gear. Nope. If Sony is the best for the job, then I'm just truthful, wouldn't you agree?

Art Model, Panda ©2017 Terrell Neasley

So she picked up the camera and then flew back in to Vegas for me to train her on it. Remember...I teach One on One photo classes for YOUR specific camera system.  She stayed with me for a week and of course between training sessions we got to do some shooting. Its been 3 years since Panda moved away with her family. So it was a pleasure to see her again and shoot. What's changed about her in 3 years? Well, she's got "mom" all over her now. She's had another daughter since I last saw her who's about 2 years old now. Herding TWO girls, two years apart has stained that mommyhood varnish over her in a double thick coat. Nonetheless, we practically picked up where we left off except this time, I also explained a lot of what I was doing while shooting her.

Art Model, Panda ©2017 Terrell Neasley
Seeing how this time around, shooting her was also a teaching session, we shot A LOT! 3 different shoots and 3 different locations. For a 5-day class session, the first two days are in-house going over the camera on day 1 and then general photography principles and fundamentals on day 2. The remaining 3 days are spent out in the field and/or studio. I hated having to see her go...again...BUT, its likely her hunny bun might be getting a job out this way this summer. So who knows...

Art Model, Panda ©2017 Terrell Neasley



28 December 2015

Who Am I Kidding...I'm Going Back Down South!

"Fifteen Kristis" Art Model KristiC © 2015 Terrell Neasley

“Traveling – it leaves you speechless, then turns you into a storyteller.” – Ibn Battuta

So yeah, I'm gonna have to post-pone Southeast Asia for just a bit longer. I had to come to terms with the fact that I'm not done yet with Latin America. That's just a point of fact. I've got a couple of choices. I mainly want to focus on Colombia and start in the old port city of Cartagena. And then do extensive traveling down the western coastline, maybe hit Bolivia. But the more I think about it, I believe I want to start where I left off this past summer and begin in Costa Rica. If you recall, I ended my trip after 3 months in Nicaragua. I missed getting to Costa Rica, although I've been to Panama already a few times. So then I'd continue through Panama and sail on  to Cartagena. I have much to work out still, mainly with the itinerary and goals, bringing a model, and of course financing. I wanna fly out before March.

Art Model, Safia Sarai, ©2015 Terrell Neasley


I think two months might just suffice this time instead of staying 4 to 6 months as I originally anticipated doing. But the fact of the matter is that I would really like to make Iceland a priority next fall, which means I need to bring my butt back and make some more money before then. So many dreams. So many goals and shots to achieve. But I want to get it done, regardless. Make enough money and I can do it all. Who knows? I might even get sponsored or sell a lot of fine art work, allowing me to spend 6 months in South America and STILL do Iceland that fall. So I don't set anything in stone. You never know what's going to happen.

Art Model, Justine © 2015 Terrell Neasley

The holidays are just about over. Its been a while since I've last blogged. Totally missed November and almost missed December. I've rarely ever missed a month of blogging and have never gone two months without a post. Just been tied up is all. That's it. And now, I'm posting again. Catching up, I've gotten to do several shoots with Safia Sarai, KristiC, and I also got Justine again. But its the professional end of things that have had me tied up for so long as I've been working a photo project that has simply taken a while to complete. And every so often I take a break from the pro shooting. Its funny that I take a break from shooting with MORE shooting. I just traded one subject for another, shooting nudes in various hotels with Safia Sarai, outdoors in the wilderness with KristiC, as well as studio work with Justine and KristiC.

Art Model, Safia Sarai, ©2015 Terrell Neasley
“A mind that is stretched by a new experience can never go back to its old dimensions.” – 
Oliver Wendell Holmes

I'm even more invested in Sony now as I have added the 90mm F2.8 Macro Lens as well as the popular 42MP A7rII camera body. I'm definitely all in on Sony. Its the best decision I've made in photography where gear is concerned. I want to try out their latest 35mm f/1.4, but I really don't need it. It would be good for environmental portraiture, but I can do well enough with the 16-35mm f/4 if I want the wide perspective. I'm satisfied with it. I now use it like I would the 24-70 when I shot with DSLRs. With the A7rII, I now have back the high dynamic range as well as the high resolution kit I was so used to shooting with my Nikon D800e that I used for about 4 years. But as a bonus, I can jack the ISO up when I need to much better than I could with my Nikon gear. You had to trade off high ISO with the higher megapixels with Nikon and most definitely with the Canon 50MP systems where you actually lost dynamic range. Sony is still the top option out there right now. I don't care what you are doing. It fits.

Art Model, Justine © 2015 Terrell Neasley
I hope you've all had a very productive year. 2015 is just about at a close. The holidays and festivities are close to ending and then its back to work. The year went by so fast. All we had was 12 months. But that's all we'll have this upcoming year as well. If you're like most people, this is that time of year where you contemplate on next year's resolutions. But if you're really like most people, those resolutions will be forgotten by January's end. So try to focus on things that really make a difference. Get better. Get smarter, so you have more resources throughout the year. Start every month thinking about how you can make another $30 grand (or whatever) on top of last year's income. Don't let the sun go down knowing you wasted the day. Be a better shooter. Study more. Learn more. I teach one on one classes. Schedule a week or two with me. If you see a way I can be better, then hell... let me know. See an opportunity that you think I might be suited for? I'll definitely be willing to listen. I may or may not take you up on the idea if I find it doesn't suit my direction at this time. But damn, I'd appreciate the opportunity to consider it. I need to get into Cuba still. I need contacts in South America and opportunities to earn while down there. I'll definitely listen to opportunities or gigs in other countries. I'm all about that. Let's work together. Come on! Lets do this!

Art Model KristiC © 2015 Terrell Neasley

02 August 2015

The Switch to Sony - Still the Best Idea Yet

Antigua, Guatemala, Sony A7MkII f/8, 1/500 at ISO 100
"Without change there is no innovation, creativity, or incentive for improvement. Those who initiate change will have a better opportunity to manage the change that is inevitable."
~ William Pollard

So its been since this past December that I made that move, ala #SwitchHappens, when I picked up the Sony A7s. Then in February, right before I left for Central America, I packed the Sony A7MarkII in a new ThinkTank Retrospective 30 bag. As for lenses, I've had to make a few switches that finally worked for me, especially in the wide-angle market. I initially went for the Rokinon 14mm T3.1 as I owned with my Nikon D800E (which was absolutely superb). But after a few weeks of use, I didn't think it was my best bet. What proved to pass the test with flying colors was the Sony 16-35mm f/4 wide-angle zoom lens. The sharpness and quick auto-focus won me over, even though I was initially settled on prime lenses only. I had to pick up a portrait prime, the 55mm 1.8 and these two have proven to be the one-two punch I was looking to travel with. Not a complaint, one.

So here are my TOP FIVE reasons the switch is best for me and why I think you'll benefit as well.

El Salvador, Sony A7S f/5.6, 4 seconds at ISO 1600
1. Size and Weight - This is the obvious benefit so I begin with the easiest. Back in the day, it was difficult to be taken seriously unless you had a bigger, heavier camera. This tended to be a natural barrier to entry to female photographers who may have stuck with rangefinders. After spending a little time working in B&C Camera, I also learned that amateur and pro photogs alike would add on a battery grip to give that extra heft and appearance that says "I am serious. I am a pro" look. I know this to be fact as I have heard it admitted quite often. The lenses are also just as small for the most part.

But today, this isn't necessary. Even for someone with large hands, you quickly get used to the size of the Sony mirrorless systems. You don't go out to eat and request the XXL forks, just because you have big hands. You'll get used to it. As of yet, I have not seen nor heard of a single photographer that makes the switch and then later goes back to the DSLR. Not one. There's no need to pack extra weight just because. Because what? If you can get the same exact results or better in a smaller package, why not do it and save yourself the carpel tunnel, tennis elbow, and chiropractor visits for your bad back. And you know what else? People aren't as intimidated when I pull this camera out for street photography. You can't say as much as when you level a big DSLR in their faces.

2. Sensor quality - Okay, when the first high resolution DSLR came out, do you know who made the sensor. It was in the Nikon D800/800E, yes. But the sensor was made by Sony. Sony has been a premier sensor maker for quite some time and even makes medium format sensors. That bad ass 51MP Pentax 645Z? Yep, that's a Sony sensor. Is that an iPhone 6 or 6 Plus in your pocket. Yeah, Sony's got that sensor too. If you look at the top sensors rated by DXOMark.com, Sony has 5 of the top 6. Only the top-rated D810 (score of 97) is not a Sony manufactured sensor as far as I know and I hadn't been able to verify the Nikon D750. None of the Canon sensors have ever been rated above a score of 87 and that includes new 50MP full-frame sensors in the Canon 5DS and 5DSR.

"Sony owns an estimated 40.2 percent share of image sensor market - According to market research estimates, in 2014 Sony made 40.2 percent of all image sensors, leaving its rivals in the sector far behind. Presumably, this figure includes sensors made for things like automotive and industrial uses, but there's no doubt that it also accounts for the front and back sensors in Apple's iPhone 6 models, both made by Sony."
Sony A7s, f/11, 1/640 ISO 1600
3. Chock Full of Features I Can and Do Use - Who's ever heard of focus peaking? Ever have that with your DSLR? No you haven't. The Electronic Viewfinder is good even in the dark. It switches from LCD screen mode to Viewfinder mode automatically as soon as I look through the viewfinder. I can view the replay of my images or video through the viewfinder even in bright sunshine. Again...Not on a DSLR. Here's one feature a DSLR has that a mirrorless camera doesn't...Mirror Lock-Up. Why? Because there is no mirror to begin with. How about wireless control with my iPhone 6Plus? Yep. I got that. Know what else I can run on my camera, Apps. Yeah, just like my phone. I can put my A7s in silent mode and there is actually no sound produced when I take a picture. I likes. In addition to that, I can record 4K video on my A7s (to an external output recorder) and when the A7rMkII comes out this month, it will do it too (straight to the SD card!). See what I mean? Full of features.

Just waking up. Guatemala. A7S, F/4, 125, ISO 5000
4. Lens Quality - This is the spot that has taken a little time. I'd have been on the mirrorless bandwagon a while back, but its taken a liiittle bit of time to develop all the E-mount lenses, especially for the full frame versions. Two years after the debut, WALLA!! Everything I need, PLUS some. But let me get to the plus in a second. My main needs are wide-angle and portrait. Well, they have that in spades. The 16-35mm f/4 covers the gamut on my wide needs well enough to keep me from looking any further. And Portrait? Zeiss glass that has come to the rescue like a knight in shining armor. No kidding on that. Especially the primes. But Zeiss has also designed zooms for Sony. I'll likely be mostly prime-oriented though. Next purchase, the 90mm 2.8 macro. Gotta have it. After that, I'll likely be looking at the Zeiss Batis Series in both the 85mm 1.8 and the 25mm f/2. And just to play, I may work with the Voigtlander Nocton 50mm f/1.1 just for giggles. Remember that aforementioned "PLUS", well because of the short flange focal distance, there is pretty much an adapter that can fit to mount any other manufacturer lens. Got Canon lenses you don't wanna give up...maybe like the EF 85mm 1.2? Well, you can get a Metabones adapter and use Canon glass on the Sony full frames. Yes, you heard me correctly.

5. Corporate Sensibilities - I like options. Like... a lot. Very much so. And I gotta give it up to Sony for being the top innovator as it relates to Digital Cameras, IMHO. Working in a camera store, I get to see many of the different manufacturers and it still amazes me that the ones at the top (Canon and Nikon) still ignore the changing of the guard, much to the same chagrin as Kodak which held onto film a little bit too long. Kodak was the original pioneer in digital and yet failed to see its true worth. Nikon and Canon fail to see the advent of the mirrorless systems and thus continue to produce predictable systems as if the Megapixel and ISO race is still valid. So here is a quick rundown of how Sony as a corporate philosophy has garnered my attention.

Sony A7S f/4, 1/30, ISO 160
First, they don't give me pro cameras in a vertical hierarchy. With DSLR manufacturers, my options are limited to budgetary concerns. Get the best you can afford. You buy a DSLR in your price range and you either get the best or sacrifice options. With Sony, the hierarchy is horizontal. I don't need all of Canon's full-frame systems which are PRICE-based. However, I can very much see owning all of Sony's full-frame systems because they are NEEDS-based. If I only need a general use system, I can get the A7MarkII. But what happens when I'm doing lowlight work or need to be discrete with streetphoto work? Well, I can get the A7s which has the best high ISO performance of any camera on the market and has an absolutely soundless shutter in silent mode. OR, if I need high resolution, I can opt for the new 42MP A7RMarkII coming out next week sometime. That's 3 full-frame systems that I can justify owning and they don't sacrifice features or options. I don't get less of a camera because I get the general use A7MarkII. These systems back up each other as well as compliment each other. And yes, I will own all 3.

I also like the fact that Sony has not been afraid to spend money in R&D and bring new products to market. The Q-systems was a lens that could utilize the sensor on your smartphone via NFC. They developed 2 or 3 different ones. We sold several at B&C Camera, but they never really caught on. It didn't make them gun shy. They went on with the next thing. The NEX system eventually gave way to the Alpha system. They developed a market and then cultivated it over 5 years. Real innovation is encouraged as opposed to several other camera manufacturers which elect to stay traditional and conventional, ignoring market concerns. As I mentioned. I watch people switch ALL. THE. TIME. I know pros and amateurs alike who WANT to switch, but can't quite get past the notion of trading out all their old investment in DSLRs and lenses. I also introduce new consumers who only know Canon or Nikon to Sony and see the reaction on their faces when I tell them the A6000 is a less costly, smaller yet viable 11- frames per second direct competitor to ANY  DSLR crop (DX) system. All I have to do is put it in their hands. The look in their eyes tell the story.

Sony A7MarkII f/8, 1/250, ISO 100
So you definitely have some choices in the mirrorless market. Behind Sony, I like the Fujifilm system and lenses. Then there is the micro-four thirds systems by Panasonic and Olympus. I recently picked up the Panasonic G7 as in inexpensive option to help me, as on option with some of my video work and moments when I don't want to risk my main systems and investment in Sony. But make no mistake, for now, Sony is still my best idea to date in a camera. Of all the systems I have ever owned, its by far my favorite.

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