Eleanor Annetta Callahan (1916-2012)

 "Eleanor"

I write about a lot of things on this blog. Sometimes I write about current situations I find myself in, or bits of interesting information that might prove relevant to my readers. In a nutshell, this blog is representative of inspiring and informative aspects related to photography and modeling and how it all impacts or relates to me. Well, I just found out yesterday from a Facebook posting by friend and fellow mentor, Dave Levingston that one of the transcendent art models has recently passed away... Eleanor Callahan.

“I never complained, whatever I was doing. If he said: ‘Come quick, Eleanor — there’s a good light,’ I was right there."

It can be difficult to understand who Eleanor Callahan was without talking about her husband of 63 years, Harry Callahan. And if you don't know Harry Callahan, the photographer, you mind will probably go to Clint Eastwood's character of the same name. Don't do that. Harry Callahan is one of the consummate Masters of Photography pioneers mentioned in the same breath as Edward Weston or Alfred Stieglitz. Harry passed away in 1999, but for much of his career he photographed what was around him. He was the opposite of Weston who explored the western United States. Callahan is better known for walking the streets of his hometown, but the majority of his inspiration came from shooting his wife, Eleanor. She posed for him anywhere and everywhere. In fact, she is best known as the Model Who Never Said No and she'll tell you just that. If Harry called for her on the spot, she came running shedding her clothes as she went.

It might be just a simple way the light was falling on something outside. She'd sit for him and then go back to doing whatever it was that she was doing. She was photographed while she slept, when she was pregnant, outdoors, indoors...it simply did not make a difference. I do not believe Edward Weston would have amounted to as big of an innovative photographer as he was without Charis Wilson. In the same way, I do not think Harry Callahan would have amounted to the influential photographer he became without Eleanor. She was a willing subject in hundreds of his images.

“He just liked to take the pictures of me,” she told an interviewer in 2008. “In every pose. Rain or shine. And whatever I was doing. If I was doing the dishes or if I was half asleep. And he knew that I never, never said no. I was always there for him. Because I knew that Harry would only do the right thing.”

"Harry Callahan: Eleanor and Barbara",
DVD

I mean... think about it for a second. Can you imagine of Eleanor was a mean-spirited or stifling wife who balked at the notion of being photographed nude? Harry would have found another subject, possibly but it would not have been the same. He would not have been able to call on another model at a moment's notice and thus miss much of the fleeting inspirational moments that could so quickly captivate his imagination. There would have been no since of intimate connection from such a familiar perspective that we tend to take for granted in his images. One of my favorite images of his is a shot of Eleanor lying on her side with her back to us while 3-year old daughter Barbara is silhouetted standing on the bedroom windowsill. You couldn't have that shot with a model you pay to come by every now and again. If Eleanor was not the person she was, Harry would have walked by that room, saw the scene, and walked off to his refrigerator to get a beer and brood in front of the TV. But because she allowed him to fully explore his photography, his creativity, and to experiment with various concepts, he was able to achieve the greatness that we know of today. Harry would photography different landscapes and double-expose it with an image of Eleanor. Some say its because he saw her in everything he looked at.

So as is were, I've been a fan of liberating wife/models like this since I started doing nudes. Harry shot her both clothed and unclothed. Some of his most noteworthy work is of Eleanor and Barbara in the park. Interestingly enough, both Eleanor and Charis Wilson, survived their husbands and both died at age 95. So that proves a theory I've been working on. Women who model for their husbands live longer! It was also quite the coincidence that only 15 minutes before I saw DaveL's post, I was reading about Eleanor in the book, "The Model Wife", by Arthur Ollman, which I will get into in another post. I also just ordered (while in the middle of this post, no less) "Eleanor", by Jullian Cox.

Rest in Peace, Charis

Charis Wilson, May 5, 1914 - November 20, 2009

“Edward and I both agreed with the view of a Greek friend of ours, Jean Varda, who was fond of saying there were three perfect shapes in the world ... the hull of a boat, a violin and a woman's body.” 

- Charis Wilson

I've spoken highly and often about my most influential photographer and the model who quite possibly had the biggest impact on photography as an art form. Charis Wilson has by far been the most inspirational art model for myself and the art world. She died just a few weeks ago. She was 95. For myself, she was the consummate model, perfect in every way. I know, I'm sure she had flaws, but I can't help but to enjoy the woman's spirit, drive, ambition, talent, and her devotion. Most of us know her as a model, but she was a prolific writer, as well. In fact, the reason I say she quite possibly had the biggest impact on photography as an art form is due to her role in helping Weston get a Guggenheim Fellowship.

    "The Guggenheim Fellowships are American grants that have been awarded annually since 1925 by the John Simon Guggenheim Memorial Foundation to those 'who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts'." 

As I am sure most of you already know, it was Charis who wrote the four-page narrative that won the Fellowship for Weston, despite the fact that Weston assumed credit for it. And it was also Charis who did all the writing and documentation for the 180 day, sixteen thousand mile trip they made throughout the western U.S. Weston's talent had nothing to do with writing. Charis therefore took up much of his work in editing articles and even wrote in his name. I guess it was about a year or so ago, when I finally got my own copy of the DVD, Eloquent Nude: The Love and Legacy of Edward Weston and Charis Wilson. You can do a search on my blog for my initial reviews of this DVD. To listen to Charis give the details of her experience in her own voice was amazing to me. I loved her recounts of her first meeting Weston. She provided vivid detail as to her feelings and emotions and could recall many of the circumstances surrounding all of those special events. She was honest and raw. She did not try to be "pretty and lady-like". She told it to you straight. You gotta respect a woman for that. And at 95, I felt grateful that she was so forthcoming in sharing. Amazing woman. 

Still wrapping it up...

“Edward and I both agreed with the view of a Greek friend of ours, Jean Varda, who was fond of saying there were three perfect shapes in the world ... the hull of a boat, a violin and a woman's body.”
- Charis Wilson, wife and muse of Edward Weston

Man, it is sooooo hard not to hand out a card or speak to a woman of interest for my photo artwork. Simply by force of habit alone, I’ve handed out a few cards and have talked to a few ladies about modeling for me. Of course, this goes against what I’ve mentioned about not shooting nudes for a while. BUT, I’m getting better at it, in part because I’ve been busy shooting nudes anyway. These are the ones that I’ve already said I had committed to. I am wrapping them up right now. I’ve had 4 models that I have worked with over the last few days and one of them I am doing some follow up work with on Thursday. After that, I’ve got the business of the commissioned shoot that we are still working which will conclude by the 1st of December.

This last shoot I did with a model who turns out to be a homie of mine. No, we hadn’t met before, but we come from the same area of Texas. We knew some of the same spots and both of our first jobs were at Braum’s Ice Cream! It was interesting to hear her talk about the home and then match up all the coincidences of our lives. Outside of Braum’s, we both miss Pancho’s Mexican Buffet and Whataburger. That’s some stuff we grew up on. Her house was gorgeous. You’re gonna love the pics of this girl. I’m going back over later with the wide-angle as this shoot is in her home and talk about a home! I love it. Sooo many interesting shots there.

Well, Iris Dassault and is going to stop modeling for a while, but for a whole different reason than why I am suspending my nude work. She's not the only one either. After all the great work these ladies do… after all they’ve accomplished, there are still those out there in the world who do not know how to treat a model. Iris has her reasons and you should go over and listen to her tell it. I’m at the very least glad for her contribution and those who do what she does. And you know what…that’s fine. For as much as they have given, shared, and tolerated, we owe them our respect, gratitude, and understanding. Its good to know when to walk away from the game. (...but I can't help wondering who might be next to do the same.)

These images were of interest to me in that they were done in conjunction with a project with another model. I’ve had a long interest in shooting women in their homes while relaxing or going about their affairs as if I were not present. This young anonymous model chose to pose for me since the shoot took place in her home which she shares with roommates. So we did a few images inside while she ate, relaxed in front of the TV, and then stepped outdoors into a tiki bar habitat where I photographer her as we conversed. I’d love to do it again.

And don't you just love the quote up top by Charis. I still say you should buy the DVD, "Eloquent Nude: The Love and Legacy of Edward Weston and Charis Wilson". There is simply no regret in that purchase.

Eloquent Nude DVD - Got it!

There are several things I could cover tonight, but I need to limit it. "Shave or Not to Shave" will have to wait one more entry as I plan to cover some different things here tonight. I have also elected to bring back some of my landscape artwork for the next few posts as well.

Today was my first meeting of the Las Vegas Art Model's Group. I didn't have the turnout that was signed up, which was disappointing, but in a way, I was also relieved. The venue I selected could not have accommodated the seating arrangements had everyone who RSVP'd showed up. At the time I selected the venue, I only had 6 or 7 people in the entire group. Well, it ballooned to over 30 within the next week. This was more of a discussion meeting than a group session. So nobody brought easels, cameras, or paint. This was for brainstorming purposes in which case I utilized the opportunity to introduce myself, cover some basics about the group, and solicit suggestions and input from the members.

I plan to grow this group not only in size but also in influence. When you think of the art community in Vegas, you'll think of the Las Vegas Art Model's Group first. I want this to be the "IT" group if you move here and want to make an impact in the local art world. Several group members made outstanding suggestions and we have some valuable contacts to help us get started. I am thinking I may have to run a second blog as well. If this thing goes as I hope, it will not be serving to my current readers (especially overseas) to discuss the non-relevant happenings of the Art Model's Group when they have nothing to do with Vegas. By the first of the year, I will consider publishing a new blog for the LVAMG.

On another note, I just received in the mail the DVD of which I have been searching. Again, I want to give a special thanks to Peter J. Crowley for putting me in contact with Julie Gliniany of NW Documentary, the company which produced the DVD. I have not viewed it yet, but I plan to watch it tomorrow or the next day and then begin my review of it there after. For any new readers who may not have read these specific posts, this DVD is titled, "Eloquent Nude: The Love and Legacy of Edward Weston and Charis Wilson". I am particularly enthralled about this DVD for two reasons. First, I have been a big time fan of Edward Weston. I have not searched out why I identify with his style of photography, but I just know I relate to it. For some reason, I have a sincere appreciation for his methods and techniques. Maybe sometime I will do some self-imposed psychoanalytic inner reflection on why I like it, but its kind of like asking why I like cheesecake? Because it tastes like cheesecake, I guess.

The second reason I was thrilled to find out about this DVD is for the relationship between he and his muse, Charis Wilson. I have had the most affinity for the work of photographers who photograph their own wives. Edward traveled the country side shooting Charis everywhere and anywhere. I recently posted an entry on The Artist's Wife which outlined a NY Times article titled "The Artist's Wife: The Muse Who Never Said No", referencing Eleanor Callahan, the wife of the late photographer Harry Callahan. One thing that made this article so rich to me was the focal point on Eleanor who is 91 at the point of this interview. She was married to Harry for 63 years.

"Eloquent Nude" ...Edward Weston and Charis Wilson

I spoke on this just recently when I posted a link to the New York Times article "The Artist's Wife", but I just came across a new documentary that was released earlier this year. One of the most prolific photographers I have come to admire has been Edward Weston. I was even honored one semester by my photography instructor in college when he commented on my latest series of work as being too "Edward Weston-esque". He didn't mean it to be a complement at the time, but I couldn't help but to take it that way. Anyway, I digress....

The newly released documentary "Eloquent Nude: The Love and Legacy of Edward Weston & Charis Wilson" is an independent film directed by Ian McCluskey that features actual narration by Edward Weston's former wife and muse Charis Wilson. A review by KEN DUBOIS, of REEL.com describes how Edward, almost 50, met Charis, who was only 21 at the time and how they formed a union and alliance which helped to shape modern photography as we know it. Edward Weston has been a dramatic inspiration in terms of his story and his relationship with Charis. I simply adore the photographer who is able to photograph his wife like this. Edward was able to travel the country shooting Charis any and everywhere. She loved being in his photos. As I have commented before, this would simply be my dream, only I'd like to travel the world. I have been unable to find a copy of this DVD for sale. I understand that some were available for purchase at the art theaters where it was seen, but Amazon doesn't have it. At some point, I'll also get to review "The Model Wife" by Arthur Ollman which portrays the lives of 9 photographers who readily photographed their wives, including Weston, Stieglitz, and Callahan. Somebody help me find that DVD...please.