Panda Portrait, © 2012 Terrell Neasley |
I've spent the last 4 days trying to write about some challenges I have here in Nicaragua with my final days looming near. I've rewritten it each time and conclude that I just need to blog about something else. And the next big thing that keeps nagging at me to talk about is UV filters. I have heard no end to opinions on the pros and cons of the use of UV filters. I know they shall persist even after this post. So yeah. Here is my spin on UV filters and whether or not you need one on your lenses or not.
Panda, © 2012 Terrell Neasley |
Back in the days of film, images could sometimes be affected by ultraviolet light that might cause images to either look hazy or maybe add a blueish hue. That's mainly because blue colors are more affected by UV than red or green.While UV light is invisible to the eye, the chemicals in the film emulsion could still be sensitive to it. This effect was more pronounced in higher altitudes, where I learned about this in Colorado, or maybe in places where the effects of the sun are strongest. Maybe like a desert (Vegas), or on a beach or in snow, where light is reflected and thereby amplifying the affects. UV filters where made to block as much UV light as possible, if not all of it, to reduce or eliminate this effect.
Today's digital sensors are less sensitive to UV light. So why do we still need them? I've heard it said that the only purpose they serve today are to line the pockets of camera store owners who want to "push" them as protection for lenses. I've heard some say that it is a needless carryover from the film days and that only the old guys use them today. I've also heard that lenses are so sharp and have their own coatings that its pure folly to add an EXTRA piece of glass in front of a lens designed with such precision and technology. I hear all that. All the time.
Panda, © 2012 Terrell Neasley |
WHY I USE UV FILTERS
Alright, let me predicate this point with a few facts. One, I love photography. If I was homeless in the streets, with only one thing of value to own, it would be a camera. Two, outside of being a pro, I don't let anything compromise the quality of my images. This is my art and I want the best quality I can get for the project I'm shooting. With that said, I can now address this point. During my film days, I did not use UV filters...(I know...when I needed them most). I didn't use them until a friend of mine banged the front element of a $2000 lens into the corner of a metal cabinet. I put filters on all my lenses after that, but I didn't have many at the time, but that made me start researching UV filters.
Soon after, I began work part time at my local camera store, for my good friend, Joe Dumic of B&C Camera in Las Vegas. In the two days per week that I worked there, I watched people pile in with busted cameras and lenses, mainly from drops. But here is the difference, many of the ones with no filters became paperweights. Conversely, UV filters saved many of these lenses. The UV filter would be busted, but the lens itself tested fine. Impact protection? Yes. This is the first reason I put UV filters on my lenses.
Panda, © 2012 Terrell Neasley |
Promaster filters back in the day were no different from some of the other cheaper filters on the market. Trust me, they've re-branded. I own several of their products because of the increase in quality AND the guarantee they put behind them. Working in a camera shop gives me the advantage of better insight in this matter. I get to see products first-hand and how they hold up over time. Why switch to the HGX series from an already great B+W product? Well first it started when I was switching over from Canon gear to Nikon gear. I sold many of the Canon lenses with the filters as a bonus. The Promaster HGX series came out at about the same time or not long after. They have three things I like. I a lifetime guarantee. A coating on both sides of the filter that REPELS dirt, grime, and debris. That's right, its like a wax job on your car. Nothing sticks to it and everything wipes right off. And three, the ring has another black coating on it that helps absorb stray light coming into the lens, thus reducing the possibility of flare.
Panda, © 2012 Terrell Neasley |